Black Liverpool, Black America, and the Gendering of Diasporic Space

Posted in Anthropology, Articles, Media Archive, United Kingdom, United States on 2011-10-20 04:46Z by Steven

Black Liverpool, Black America, and the Gendering of Diasporic Space

Cultural Anthropology
Volume 13, Issue 3 (August 1998)
pages 291–325
DOI: 10.1525/can.1998.13.3.291

Jacqueline Nassy Brown, Associate Professor of Anthropology
Hunter College of the City University of New York

The terms black Liverpool and black America, no less than the African diaspora, refer to racialized geographies of the imagination. The mapping of racial signifiers onto geographical ones lends such terms the illusion of referring to physical rather than social locations. That there is no actual space that one could call “the African diaspora,” despite how commonly it is mapped onto particular locales, points attention to the ways that social spaces are constructed in tandem with processes of racial formation…

Inspired by Paul Gilroy’s first book, There Ain’t No Black in the Union Jack: The Cultural Politics of Race and Nation (1987), I set out in 1991 to study the meanings and practices surrounding “race” andnation in Liverpool, England. Set in a city with one of the longest-settled black populations in the United Kingdom, my research investigated why and how black identity is constituted as the mutual opposite of English and British identities. Yet in pursuing these themes, I became increasingly amazed at how frequently my informants would make discursive forays into “black America.” Nested at key moments in their narratives were references to the formative influence that black America—in many forms—has had on racial identity and politics in their city. The experiences they narrated were varied, and the narratives themselves were rich, poignant, and deeply gendered. Black Liverpudlians told of their relations with the black American servicemen (or “GIs”) who were stationed outside their city for some 25 years following World War II. Men and women also spoke about the travels of their own African, Afro-Caribbean, and native black Liverpudlian fathers who were employed as seamen by Liverpool shipping companies. The global wanderings of the city’s black men often brought them to black Atlantic ports of call-many in the United States. Narratives of black Liverpudlians’ diasporic encounters also referred to the emigration of local women to the mythical place called “black America.” Finally, and crucially, men and women told of how and why they have accessed the many black American cultural productions that have, for decades, circulated around the social space of black Liverpool.

Setting Sail: The Birth of Liverpool’s Black Community

When black Liverpudlians narrate their history, three themes often emerge. The first concerns the participation of black men in the city’s shipping industry; the second concerns the birth of the black population-a process narrated with special reference to the prevalence of interracial  marriage in Liverpool; and the third concerns the transformation of their racial identity from “half-caste” to “black.” These related processes, to be examined briefly below, have given rise to the contemporary form of black Liverpudlians’ local and racial identities…

African seamen, as has been suggested, are heralded in Liverpool for essentially giving birth to the black community. Yet they are also noted for setting another phenomenon into motion: the institution of interracial marriage. The prevalence of interracial marriage is a crucial theme in narratives on local history. During their careers at sea, African men commonly docked in Liverpool’s port, formed romantic relationships with local women, mostly white, and later married them, had children, retired from seafaring, and settled in the city—so the dominant narrative goes, both in social scientific and local discourse. Diane Frost’s recent explanation is exemplary of the former. She writes,

Transient work patterns that derive from the nature of seafaring… led to short-term relationships with local women. Permanent and long-standing relationships with local women through marriage (formal or common-law) usually occurred when these seamen became permanently domiciled in Liverpool or in some cases this became a reason for gaining domicile. [1995-96:51]

Several black Liverpudlians told me of a much earlier study of this phenomenon. Published in 1930, it was written by an anthropologist named Muriel Fletcher and given the revealing title Report on an Investigation into the Colour Problem in Liverpool and Other Ports (Fletcher 1930). Mark Christian marks the publication of “the Fletcher Report” as the dawn of philanthropic racism in Liverpool because it expressed “concern” both for the “morally degenerate” white women who consorted with African seamen, and for their haplessly pathological “half-caste” children (1995-96). The sexualized interpretation of seafaring lends specificity to the racialization not only of interracial unions, but also of the children born of them.

Major and minor publications on blacks in Liverpool always condemn the Fletcher Report for essentially developing a non-category (“neither black nor white”) to speak of blacks of mixed racial parentage. Their struggles to overcome that inscription is an absolutely central theme in black Liverpudlian accounts of the way they became black. While some blacks of mixed parentage specifically cite black American influences on the rise of a black identity in Liverpool, the blacks I knew with two black parents tended to boast that “we were always ‘black’ in our family”—speaking somewhat disparagingly, perhaps, of those who took longer to claim that identity. Yet the narratives of black Liverpudlians of mixed parentage reveal the difficulty of that process, for these Liverpudlians indicated rather painfully that their African fathers, whom they said they looked to for racial identity, often perceived their children as racially different than themselves. Blacks of mixed parentage in Liverpool commonly reported that their African fathers referred to them as “half-caste.” While this is not the place to historicize the term, we must grant the obvious possibility that West African societies colonized by the British were heavily influenced by Victorian constructions of “race” that were characterized by a concern for “purity” (Lorimer 1978). African informants in Liverpool reported that they, too, grew up with the term, and never recognized it as derogatory. A relatively recent immigrant to England explained, “Growing up in Nigeria, it was acceptable to call people of mixed race ‘half-caste’ because to a lot of Nigerians it was not an abusive term. It was purely a biological description of somebody who comes from a mixed race.”…

Read the entire article here.

Tags: , , , , , , , ,

BBC Two explores what it means to be mixed-race in Britain

Posted in Articles, Biography, History, Literary/Artistic Criticism, Media Archive, Social Science, United Kingdom, Videos, Women on 2011-03-16 04:27Z by Steven

BBC Two explores what it means to be mixed-race in Britain

British Broadcasting Corporaton
2010-03-10

Mixed-Race Britain is put under the spotlight this autumn on BBC Two in a collection of revealing and compelling new programmes.

Britain in 2011 has proportionately the largest mixed population in the Western world, but 100 years ago people of mixed race lived on the fringes of British society, an invisible community unacknowledged by the wider world.

With an exciting mix of drama and documentaries, the programmes provide a window into the varied and surprising lives of mixed-race people in the UK and help us understand what the increasing rise in mixed-race people means for the way we live now in Britain.

…Leading the programming is Shirley Bassey—A Very British Diva (working title), an intimate and revealing drama that tells the extraordinary life story of Dame Shirley Bassey—one of Britain’s national treasures and one of the world’s most enduring and successful divas. But her rise from poverty to international stardom is no ordinary rags-to-riches story…

In a three-part series, journalist and TV presenter George Alagiah leads viewers through the remarkable and untold story of how Britain’s mixed-race community has become part of everyone’s lives today. With previously unseen footage and unheard testimony, Mixed Britannia (working title) uncovers a tale of illicit love, marriage, children, tragedy and triumph.

Charting events from the turn of the 20th century to the present day, George explores the social factors that have influenced the shape of the mixed-race Britain we see today.

He’ll find out about the flourishing love between merchant seamen and liberated female workers during the First World War; how the British eugenics movement physically examined mixed-race children in the name of science; how pioneering white couples—including English aristocrats—adopted mixed-race babies; and how Britain’s mixed-race population exploded with the arrival of people from all over the globe—making them the fastest-growing ethnic group in the UK.

Mixed—Sex, Race And Empire is a one-off documentary exploring the social, sexual, economic and political issues that led to the race mixing of people across the world. From India to West Africa via South America and the USA, this programme reflects upon the stories and consequences of racial mixing across the world…

Read the entire press release here.

Notes from Steven F. Riley.

For some early 20th century background material on the topics covered in Mixed Britannia, see:

Tags: , , , , , , , , , , , , ,