A More Perfect Union: Black Freedoms, White Houses

Posted in Articles, Barack Obama, Communications/Media Studies, Media Archive, Politics/Public Policy, United States on 2015-12-29 03:06Z by Steven

A More Perfect Union: Black Freedoms, White Houses

Public Culture
Volume 28, Number 1, January 2016
pages 63-87
DOI: 10.1215/08992363-3325016

Jasmine Nichole Cobb, Assistant Professor in the Department of Communication
Northwestern University, Evanston, Illinois

President Barack Obama signifies both the power of the institutional presidency and the legacy of black freedom struggles. His post in the White House provides an opportunity to think through the process by which these themes became intertwined and the manner in which the US presidency became a site for resolving the black freedom struggle. This essay traces the routes through which the US state, in the form of the presidency, appropriated black images to suppress autonomous black freedom struggles and promote less threatening racial narratives. It critiques the production and reproduction of black freedom imagery for state utility. The materials investigated reveal the value of black visibility to state interests at key moments in US race relations—namely, during slavery, enfranchisement, and national elections.

Read or purchase the article here.

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Obama and the Oscars: Lights, Camera, Nationalism! A Symposium About The “Obama Effect” On Film Culture

Posted in Barack Obama, Communications/Media Studies, Media Archive, United States on 2014-02-15 22:53Z by Steven

Obama and the Oscars: Lights, Camera, Nationalism! A Symposium About The “Obama Effect” On Film Culture

DePaul University
Richardson Library
Rosati Room 300
2350 North Kenmore Avenue
Chicago, Illinois
Friday, 2014-02-28, 16:00-19:00 CST (Local Time)

Moderated by:

Daniel McNeil, Ida B. Wells-Barnett Professor of African and Black Diaspora Studies
DePaul University

Speakers:

George Elliott Clarke, Associate Professor of English
University of Toronto and Harvard University

Jasmine Nichole Cobb, Assistant Professor of Communication Studies
Northwestern University

Charles Coleman, Film Programmer
Facets Cinémathèque, Chicago, Illinois

Armond White, Editor and Film Critic
City Arts, New York, New York

During the run up to the 2014 Oscars, film producers and executives have claimed that the election and re-election of President Barack Obama has erased racial lines and created a better country. They have also linked the ‘Obama effect’ to a spate of daring films about slavery and racial discrimination in the American past. This symposium brings together leading academics, critics, and film programmers to discuss the production, distribution and marketing of films in the age of Obama, as well as the ways in which Oscar-nominated films address the history of America and the Atlantic world.

Free and open to the public.

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