Mixed Race Studies

Scholarly perspectives on the mixed race experience.

Germany’s history has established a unique context for biracial individuals. For one, foreigners that look different have a hard time being accepted as German citizens. While the most prominent political activists of the Afro-German movement were women, Afro-German men chose the venue of music to express their struggle for identity and acceptance. Their contribution to the Afro-German movement of the early 1990s emphasized German citizenship and a demand to be recognized as Germans (El-Tayeb, 2003). Afro-Germans do not enjoy the advantages of “uncontested national belonging that come with being white” (El-Tayeb, 2003, pg. 479). The Hip-Hop group Brother’s Keepers addressed this issue with their song “Fremd im Eigenen Land” (Stranger in your own country) (El-Tayeb, 2003). African Americans living in the United States do not typically struggle with this issue. Nationality of Americans is not defined by racial make up, but in national allegiance (Asante, 2005). As a consequence, Afro-Germans have a problem with “cultural location”: The dilemma they face because they are “born in Germany, are educated in Germany, and view themselves as German yet in the minds of their fellow citizens they are not truly German because they do not have pure German ancestry” (Asante, 2005)…

Hubbard, Rebecca R. “Afro-German Biracial Identity Development.” PhD dissertation, Virginia Commonwealth University, 2010.

Mestizaje Upside-Down: Aesthetic Politics in Modern Bolivia

Posted in Arts, Books, Caribbean/Latin America, History, Literary/Artistic Criticism, Media Archive, Monographs on 2010-01-11 19:42Z by Steven

Mestizaje Upside-Down: Aesthetic Politics in Modern Bolivia

University of Pittsburgh Press
May 2004
240 pages
6 x 9
ISBN: 9780822942276

Javier C. Sanjinés, Associate Professor of Latin American Literature and Cultural Studies
University of Michigan

Mestizaje refers to the process of cultural, ethnic, and racial mixture that is part of cultural identity in Latin America. Through a careful study of fiction, political essays, and visual art, this book defines the meaning of mestizaje in the context of the emergence of a modern national and artistic identity in late-19th- and early 20th-century Bolivia.

Tags: Bolivia, Javier C. Sanjinés, Javier Sanjinés, University of Pittsburgh Press

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Mixed Race Studies

Mestizaje Upside-Down: Aesthetic Politics in Modern Bolivia

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