Mixed Race Studies

When Brer Rabbit Meets Coyote: African-Native American Literature

University of Illinois Press
2003
328 pages
6 x 9 in.
Cloth ISBN: 978-0-252-02819-9

Edited by:

Jonathan Brennan, Professor of English
Mission College, Santa Clara, California

An exploration of the literature, history, and culture of people of mixed African-Native American descent

An exploration of the literature, history, and culture of people of mixed African American and Native American descent, When Brer Rabbit Meets Coyote is the first book to theorize an African-Native American literary tradition. In examining this overlooked tradition, the book prompts a reconsideration of interracial relations in American history and literature.

Jonathan Brennan, in a sweeping historical and analytical introduction to this collection of essays, surveys several centuries of literature in the context of the historical and cultural exchange and development of distinct African-Native American traditions. Positing a new African-Native American literary theory, he illuminates the roles subjectivity, situational identities, and strategic discourse play in defining African-Native American literatures.

Brennan provides a thorough background to the literary tradition and a valuable overview to topics discussed in the essays. He examines African-Native American political and historical texts, travel narratives, and the Mardi Gras Indian tradition, suggesting that this evolving oral tradition parallels the development of numerous Black Indian literary traditions in the United States and Latin America.

The diverse essays cover a range of literatures from African-Native American mythology among the Seminoles and mixed folktales among the Cherokee to autobiography, fiction, poetry, and captivity narratives. Contributors discuss, among other topics, the Brer Rabbit tales, shifting identities in African-Native American communities, the “creolization” of African American and Native American mythologies and religions, and Mardi Gras Indian performance. Also considered are Alice Walker’s development of an African-Native American identity in her fiction and essays and African-Native American subjectivity in the works of Toni Morrison and Sherman Alexie.

Mixed Race Literature

Stanford University Press
2002
256 pages
8 illustrations
Cloth Edition: ISBN-10: 0804736391; ISBN-13: 9780804736398
Paperback Edition ISBN-10: 0804736405; ISBN-13: 9780804736404

Edited by

Jonathan Brennan, Professor of English
Mission College, Santa Clara, California

This collection presents the first scholarly attempt to map the rapidly emerging field of mixed-race literature, defined as texts written by authors who represent multiple cultural and literary traditions—African-European, Native-European, Eurasian, African-Asian, and Native-African American. It not only allows scholars to engage a wide variety of mixed race literatures and critical approaches, but also to situate these literatures in relation to contemporary fields of literary inquiry.

The editor’s introduction provides a historical context for the development of mixed-race identity and literature, summarizing existing scholarship on the subject, interrogating the social construction of race and mixed race, and arguing for a literary (rather than literal) inquiry into mixed-race texts.

The essays examine such subjects as mythmaking and interpreting; the illustration of mixed-race texts; the mixed-race drama of Velina Hasu Houston; race, gender, and transnational spaces; the meaning and negotiation of identity; the theory of kin-aesthetic in Asian-Native American literatures; and Maori-Pakeha mixed-race writing in New Zealand.

The editor’s conclusion argues that rather than following the tragic employment assigned to mulattos, octoroons, and half-bloods, the evolution of mixed-race texts has been from tragedy to trickster. The role of the tragic trickster facilitates a shift in which new and distinct literary strategies and forms emerge. These models represent critical sites from which to theorize the overall formation of American literature and to complicate its formation in ways that unfold our usual notions of race, gender, and culture.