Mixed Race Studies

Three Sad Races: Racial Identity and National Consciousness in Brazilian Literature

Cambridge University Press
1983
210 pages
216 x 140 mm
Paperback ISBN: 9780521155342

David T. Haberly, Professor of Portuguese
University of Virginia

An innovative interpretation of the development of Brazilian literature from the sixteenth to the twentieth centuries. Originally published in 1983, Three Sad Races is a study of how Brazilian literature deals with the nation’s racial diversity themes and gives vent to the general disquietude concerning this.

Table of Contents

• Acknowledgements
• Introduction
• 1. From Indians to Indianism
• 2. The songs of an exile: Antônio Gonçalves Dias
• 3. The novelist as matchmaker: José de Alencar
• 4. The poet as slave: Antônio de Castro Alves
• 5. A journey through the escape hatch: Joaquim Maria Machado de Assis
• 6. The black swan: João da Cruz e Sousa
• 7. From despair to Modernism
• 8. The harlequin: Mário de Andrade
• Conclusion: the Edenic metaphor
• Notes
• Selected bibliography
• Index

CLS 413: Comparative Studies in Theme: Generation, Degeneration, Miscegenation

Northwestern University
Winter 2012

César Braga-Pinto, Associate Professor of Brazilian Studies

In this seminar we will discuss how and why late 19th-century and early 20th-century fiction often represented a crisis in models of biological reproduction. We will investigate how anxieties regarding miscegenation and degeneration impacted this three-part pattern:

(1) the “family romance” in Latin America (and elsewhere); (2) the  so-called generative crisis in the turn of the century; (3) the homosocial, “horizontal” forms of association or affiliation that were evoked to compensate the crisis in the generative model. We will also consider the meanings of the term “generation” as a form of “affiliation” in multi-racial societies such as Brazil.

Although we will focus primarily on Brazilian fiction, the approach will be comparative (hemispheric and/or transatlantic), and final papers may focus on U.S., Latin American, European, African or other post-colonial literatures (primarily from the period 1850’s-1930’s).

Class Materials:

• José de Alencar (Iracema, 1865)
• Aluísio de Azevedo (O Mulato, 1881)
• Adolfo Caminha (O Bom Crioulo, 1895)
• Machado de Assis (Dom Casmurro, 1899)
• Lima Barreto (Clara dos Anjos, 1922)
• José Lins do Rego (Doidinho, 1933; Banguê, 1934)
• Graciliano Ramos (São Bernardo, 1934)
• Gilberto Freyre (The Masters and the Slaves, 1933)

ALL WORKS ARE AVAILABLE IN ENGLISH TRANSLATION.

Secondary sources may include works by Doris Sommer, Edward Said, Franz Fanon, Eve Sedgwick, Judith Butler, Roberto Schwarz, Silviano Santiago and Jacques Derrida.

Mestizo Nations: Culture, Race, and Conformity in Latin American Literature

University of Arizona Press
May 2002
161 pages
9.6 x 6.4 x 0.7 inches
ISBN-10: 0816521921
ISBN-13: 978-0816521920

Juan E. De Castro, Assistant Professor of Literature
The New School

Nationality in Latin America has long been entwined with questions of racial identity. Just as American-born colonial elites grounded their struggle for independence from Spain and Portugal in the history of Amerindian resistance, constructions of nationality were based on the notion of the fusion of populations heterogeneous in culture, race, and language. But this rhetorical celebration of difference was framed by a real-life pressure to assimilate into cultures always defined by Iberian American elites. In Mestizo Nations, Juan De Castro explores the construction of nationality in Latin American and Chicano literature and thought during the nineteenth and twentieth centuries. Focusing on the discourse of mestizaje—which proposes the creation of a homogenous culture out of American Indian, black, and Iberian elements—he examines a selection of texts that represent the entire history and regional landscape of Latin American culture in its Western, indigenous, and neo-African traditions from Independence to the present. Through them, he delineates some of the ambiguities and contradictions that have beset this discourse. Among texts considered are the Indianist novel Iracema by the nineteenth-century Brazilian author José de Alencar; the Tradiciones peruanas, Peruvian Ricardo Palma’s fictionalizations of national difference; and historical and sociological essays by the Peruvian Marxist José Carlos Mariátegui and the Brazilian intellectual Gilberto Freyre. And because questions raised by this discourse are equally relevant to postmodern concerns with national and transnational heterogeneity, De Castro also analyzes such recent examples as the Cuban dance band Los Van Van’s use of Afrocentric lyrics; Richard Rodriguez’s interpretations of North American reality; and points of contact and divergence between José María Arguedas’s novel The Fox from Up Above and the Fox from Down Below and writings of Gloria Anzaldúa and Julia Kristeva. By updating the concept of mestizaje as a critical tool for analyzing literary text and cultural trends—incorporating not only race, culture, and nationality but also gender, language, and politics—De Castro shows the implications of this Latin American discursive tradition for current critical debates in cultural and area studies. Mestizo Nations contains important insights for all Latin Americanists as a tool for understanding racial relations and cultural hybridization, creating not only an important commentary on Latin America but also a critique of American life in the age of multiculturalism.

Read the preface here.