Signifying the tragic mulatto: A semiotic analysis of Alex Haley’s QueenPosted in Articles, Literary/Artistic Criticism, Media Archive, Slavery on 2011-11-01 00:55Z by Steven |
Signifying the tragic mulatto: A semiotic analysis of Alex Haley’s Queen
Howard Journal of Communications
Volume 7, Issue 2 (1996)
pages 113-126
DOI: 10.1080/10646179609361718
Mark P. Orbe
Karen E. Strother
Employing a semiotic framework, this article explores the signification process of the lead character in Alex Haley’s Queen. This popular miniseries is significant because a bi‐ethnic person is the focal point of its storyline. However, instead of transcending the traditional stereotypes associated with bi‐ethnicity, the program does little more than portray Queen as a “tragic mulatto.”; Specifically, three signifiers are discussed: bi‐ethnicity as (a) beautiful, yet threatening, (b) inherently problematic, and (c) leading to insanity.
For three days in mid-February 1993, millions of television viewers watched Alex Haley’s Queen, the epic miniseries that follows the life of a woman born in the 1840s of a European master and an enslaved African (Fein, 1993). Promoted as the third and final project featuring the story of Alex Haley’s multi- generational family, Alex Haley’s Queen extends his earlier docudramas. Roots and Roots: The Next Generation (Zoglin, 1993). Described as “Big Event television” (Goldberg, 1993), the miniseries was lauded as compelling and “of uncommon passion and substance” (O’Connor, 1993, p. C34). Each of the three two-hour segments of Queen was rated among Nielsen’s top ten television programs for the week, and the epic garnered an Emmy nomination for best miniseries.
As with Haley’s earlier works, some controversy arose regarding the accuracy…
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