Study analyzes ambiguities in the works of Aluísio AzevedoPosted in Articles, Brazil, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2013-08-18 21:01Z by Steven |
Study analyzes ambiguities in the works of Aluísio Azevedo
Agência FAPESP: News Agency of the Sao Paulo Research Foundation
2011-06-08
Karina Toledo
Agência FAPESP —The Mulatto, by Aluísio Azevedo, is a title that refers to the collective human state. It does not mention a character or a specific situation, but rather a human category that is very important for understanding the process of Brazil’s formation.
This analysis is presented by sociologist Rodrigo Estramanho de Almeida in the book A realidade da ficção. Ambiguidades literárias e sociais em ‘O Mulato’ de Aluísio Azevedo (The reality of fiction. Literary and social ambiguities in “The Mulatto” by Aluísio Azevedo), released by Alameda Casa Editorial on March 15.
The starting point for this analysis is the second book published by Aluísio Azevedo, The Mulatto. The researcher analyzes the contradictions found in this book, as these contradictions marked the entire literary trajectory of the Maranhão author. Critics normally divide Azevedo’s work into two categories: engaged (or activist) romance, filled with social criticism, and feuilletonesque novels.
“This ambiguity remains throughout the career of Aluísio. The writer himself made it clear in correspondence and newspaper texts that he was conscious of it and struggled with it. But I try to show that there is continuity in his works,” commented Estramanho de Almeida in an interview with Agência FAPESP…
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