Mixed Race Studies

Scholarly perspectives on the mixed race experience.

The spectrum of shades and colorings that constitute “black” identity in the United States, and the equal claim to black identity that someone who looks like [Walter] White or [Louis T.] Wright (or, for that matter, [Rachel] Dolezal) can have, is a direct product of bloodlines that attest to institutionalized rape during and after slavery. Nearly all of us who identify as African-American in this country, apart from some more recent immigrants, have at least some white ancestry. My own white great-grandparent is as inconsequential as the color of my palms in terms of my status as a black person in the United States. My grandparents had four children: my father and his brother, both almond-brown, with black hair and dark eyes, and two girls with reddish hair, fair skin, freckles, and gray eyes. All of them were equally black because they were equal heirs to the quirks of chance determining whether their ancestry from Europe or Africa was most apparent. Dolezal’s primary offense lies not in the silly proffering of a false biography but in knowing this ugly history and taking advantage of the reasons that she would, at least among black people, be taken at her word regarding her identity.

Jelani Cobb, “Black Like Her,” The New Yorker, June 15, 2015. http://www.newyorker.com/news/daily-comment/rachel-dolezal-black-like-her.

Black and French: ‘Mariannes Noires’ film explores the intersections of identity

Posted in Articles, Autobiography, Europe, Media Archive, Videos on 2017-02-17 21:08Z by Steven

Black and French: ‘Mariannes Noires’ film explores the intersections of identity

AfroPunk
2017-02-16

T. McLendon

The African diaspora reaches to every corner of the earth and in the Western world Black identity is often formed within the context of white supremacy, white nationalism, and white majorities. For Black people learning, growing and living in France, the intersections of race, class, immigration, and nationality all color their upbringing and everyday lives and new film “Mariannes Noires” aims to dive headfirst into these experiences. Directors Mame-Fatou Niang and Kaytie Nielsen follow seven French woman of African and Caribbean origins of various professions and try to extract what binds them beyond their Blackness…

Read the entire article here.

Tags: AfroPunk, France, Kaytie Nielsen, Mame-Fatou Niang, T. McLendon

Comments Off on Black and French: ‘Mariannes Noires’ film explores the intersections of identity

M	T	W	T	F	S	S
				1	2	3
4	5	6	7	8	9	10
11	12	13	14	15	16	17
18	19	20	21	22	23	24
25	26	27	28	29	30

Mixed Race Studies

Black and French: ‘Mariannes Noires’ film explores the intersections of identity

Pages

Categories

Calendar of Posts

Links

Meta