Mixed Race Studies

“Asian Latinos” and the U.S. Census

AAPI Nexus: Policy, Practice and Community
Volume 10, Number 2 (2012)
pages 119-138
DOI: 10.17953/appc.10.2.m04004632k7n353l

Robert Romero, Associate Professor of Chicana/o Studies and Asian American Studies
University of California, Los Angeles

Kevin Escudero, Postdoctoral Fellow in American Studies
Brown University, Providence, Rhode Island

Marjorie Kagawa-Singer, Professor Emerita
Department of Community Health Sciences and Department of Asian American Studies
University of California, Los Angeles

Paul Ong, Professor of Urban Planning, Social Welfare and Asian American Studies
University of California, Los Angeles

Tarry Hum, Professor
Department of Urban Studies and Graduate Center Doctoral Program in Environmental Psychology
Queens College, City University of New York

Numbering more than 300,000, “Asian Latinos” are a large but overlooked segment of the Asian American and Latino populations of the United States. Drawing from data generated from the 5 percent Public Use Microdata Samples of the 2000 U.S. Census, this article provides a preliminary quantitative analysis of the Asian Latino community. In particular, it examines the demographic characteristics of population size, geographic distribution, national origin, gender, age, citizenship, and educational attainment. In addition, it examines several policy implications related to Asian Latino coalition building and undocumented immigrant advocacy.

Read or purchase the article here.

Special Issue: Mixed Heritage Asian American Literature

Asian American Literature: Discourses & Pedagogies
Volume 3 (2012): Special Issue: Mixed Heritage Asian American Literature

Table of Contents

• Introduction to Volume III—Wei Ming Dariotis
• The AALDP Interview
  • Smoke and Flowers: An Interview with Olivia Boler—Wei Ming Dariotis
• Articles
  • American Orientalism and Cosmopolitan Mixed Race: Early Asian American Mixed Race in the American Literary Imagination—Melissa Eriko Poulsen
  • The Making of a Eurasian: Writing, Miscegenation, and Redemption in Sui Sin Far—Juanita C. But
  • Betwixt and Between Past and Present: Cultural and Generic Hybridity in the Fiction of Mary Yukari Waters—Rania Samir Youssef
  • Revisiting Local History and Ghostly Memory in Shawna Yang Ryan’s Locke 1928—Chia-rong Wu
  • Realizing blacknpinay: Negotiating Notions of Authenticity in Janet Stickmon’s Crushing Soft Rubies—Teresa Hodges
  • The Abjection of James Dean: Mixed Media/Mixed Race Performances in Ai’s Poem, “James Dean”—Cathy Irwin
  • Multiracial Male Masculinity: A Critical Mixed Race Analysis of Brian Ascalon Roley’s “American Son”—Kevin Escudero
  • Teaching Chang-rae Lee’s Aloft: Exploring the Limits of Race and Ethnicity—Jaime Cleland
  • Disturbing Stereotypes: Fu Man/Chan and Dragon Lady Blossoms—Audrey Wu Clark
  • Excursus on “Hapa;” or the Fate of Identity—Nicole Myoshi Rabin
  • A Hapa Family in Chekhov’s Three Sisters—Elizabeth Liang
• Reviews
  • Review: This is All I Choose To Tell—Cathy J. Schlund-Vials

Read the entire issue here.

Crossing Lines: Praxis in Mixed Race/Space Studies

University of California, Berkeley
Friday, 2012-03-16 through Saturday, 2012-03-17

Co-Sponsored by the UC Berkeley Center for Race and Gender and Ethnic Studies Department.

In traditional Ethnic Studies, mixed race scholarship has often been marginalized, misappropriated, tokenized or simply left out. In order to allow for a collaborative environment given the need for more critical scholarship on the experiences of mixed race people, in Fall 2009, a group of graduate students at UC Berkeley formed the inter-disciplinary working group at the Center for Race & Gender, Transnational Mixed Asians In-Between Spaces (TMABS). The goal of the working group is to to create a safe space for scholars to discuss issues of mixed race identity and also to provide a venue for those doing work in this area to present developing ideas and projects. Furthermore, the working group seeks to expand the notion of mixed race to include other factors such as culture and space. Overall, it is our intent to encourage and promote research on mixed race/culture in Ethnic Studies and bring together scholarship from multiple disciplines to collaborate on future research areas.

In Spring 2012, we will host our inaugural conference entitled, “Crossing Lines: Praxis in Mixed Race/Space Studies.” The conference will take place March 16-17th at the UC Berkeley campus and will include panels, film screenings, poetry performances and an art exhibit.

The co-founders of TMABS are: Kevin Escudero, Joina Hsiao, Ariko Ikehara and Julie Thi Underhill, doctoral students in the Ethnic Studies Department at UC Berkeley.

For more information, click here.

A Critical Race Theory Approach to Understanding Cinematic Representations of the Mixed Race Experience

Center for Race & Gender
University of California, Berkeley
2010-12-08

10/5/2010 CRG Forum: Mixed Race/Mixed Space in Media Culture & Militarized Zones
“A Critical Race Theory Approach to Understanding Cinematic Representations of the Mixed Race Experience”

Kevin Escudero, Ethnic Studies

This presentation focuses on the developmental trajectory of the portrayal of mixed race people in mainstream media.  Primarily looking at film, but also analyzing other media texts such as photography, stand-up comedy and particular sub-genres of film (Disney, television series, etc.) this presentation seeks to understand the ways in which different forms of media have portrayed mixed race people pre and post-Loving.  While much work has been done on the depiction of mixed race people in media post-Loving, there is a need for such work to be contextualized within the pre-Loving depictions of mixed race.  Furthermore, very little attention has been given to the ways in which pre-1967 depictions of mixed race characters (e.g. the tragic mulatto) oftentimes reflect as well as perpetuated racist stereotypes of mixed race people.  These depictions of mixed race people during the anti-miscegenation era are what I argue, has given rise to the utilization by mixed race people of multiple forms of self-expression available through various media in the post-Loving era.

Listen to the presentation here.

Mixed Race/Mixed Space in Media Culture & Militarized Zones

Thursday Afternoon Forum Series
University of California, Berkeley
691 Barrows Hall
2010-10-07, 16:00 to 17:30 PDT (Local Time)

A Critical Race Theory Approach to Understanding Cinematic Representations of the Mixed Race Experience
Kevin Escudero, Ethnic Studies

This presentation focuses on the developmental trajectory of the portrayal of mixed race people in mainstream media.  Primarily looking at film, but also analyzing other media texts such as photography, stand-up comedy and particular sub-genres of film (Disney, television series, etc.) this presentation seeks to understand the ways in which different forms of media have portrayed mixed race people pre and post-Loving.  While much work has been done on the depiction of mixed race people in media post-Loving, there is a need for such work to be contextualized within the pre-Loving depictions of mixed race.  Furthermore, very little attention has been given to the ways in which pre-1967 depictions of mixed race characters (e.g. the tragic mulatto) oftentimes reflect as well as perpetuated racist stereotypes of mixed race people.  These depictions of mixed race people during the anti-miscegenation era are what I argue, has given rise to the utilization by mixed race people of multiple forms of self-expression available through various media in the post-Loving era. 

Using a framework of “neutralizing the Other” in combination with a Critical Race Theory analysis I will also examine the ways in which post-1967 depictions of mixed race people in media have resulted in a neutralizing of the pre-1967 “threat” of miscegenation and the resulting mixed race offspring of these marriages.  Using pre-1967 depictions as a backdrop for post-Loving discourse, this paper also comments as to the self-perception and self-representation of mixed race youth today in film.  In this analysis, other forms of marginalization and subordination are prevalent, specifically gender.  Not to be overlooked in mixed race and miscegenation discourse, women of color are more often than not depicted as hypersexualized, super-fertile beings while mixed race men depending on their racial mixture are depicted as either hyper-masculine beings (Dwayne “The Rock” Johnson and Vin Deisel) or associated with a more effeminate masculinity (e.g. Keanu Reeves who is half Asian and half Caucassian).  Tiger Woods, on the other hand, and the media portrayal of his marriage scandal at the end of 2009, has been cast as the ultimate playboy among men.

Historical Development and Expression of Black-Okinawa: Mixed-Socio-Cultural Race/Space in Militarized Zone
Ariko Ikehara, Ethnic Studies

This paper examines the historicity of the Cold War and the Post-Cold War era and the narrativity of its aftermath in which the legacy and memories of the U.S.-Asia border (militarized Asia space) are apprehended, narrated and remembered from a transpacific gaze: mixed-space/race zone in the U.S. militarized Asia.   Thus, this project seeks to map out a genealogy of mixed-space/race in the U.S. militarized Asia zone in the historical context of the Cold War and Post-Cold War era.  Re-examining the “natural” phases of social-geographical expansion/spatial development brought on by the militarization of Asia during the Cold war and Post-Cold war era in Asia, my main focus is couched in the base cultural space (mixed-space) in Okinawa.  Some of the research questions are: what is the structure that maintains and fuels the military complex in Asia, what forms did the militarized place become mixed-space, and what are the different circumstances in which the mixed-race people (Amerasians) with or without mixed families traverse and move in and out and around (circulation) of the militarized Asia zone.  Centering the black-Amerasian history and narrativity as the loci of inquiry, I am particularly interested in exploring how the notion of “blackness” is apprehended, circulated, and performed in the mixed-space/race, and is reiterated over and again within the larger spatiality of transnational sites in between US and Asia.

For more information, click here.