Mixed Race Studies

Barack Obama’s Warning to People of Mixed Heritage

Eighth Generation
2014-01-22

Louie Gong

Back in April 2005, a group of mixed people sponsored by the nonprofit MAVIN had the golden opportunity to sit down with the then-Senator Obama. The conversation, filmed as part of the feature length documentary “Chasing Daybreak,” may be the only interview in which he has addressed the mixed race experience directly. I pulled the dusty DVD off my shelf last week and uploaded this clip with permission from MAVIN. (I’m a past President of MAVIN, and I currently sit on the Advisory Board for both MAVIN and Mixed in Canada)

In my travels, I still hear people citing the increasing presence of America’s mixed race population (up 32% since Census 2000)—and high-profile individuals—as supposed movement towards a “post-racial” or colorblind society. In a cultural climate like this, I think hearing President Obama—the mixed race person most often touted as evidence of this post-race state—strongly caution mixed folks to stay connected to community and participate in larger movements by people of color is a priceless tool for sparking discussion…

Read the entire article here.

Mixing Racial Messages

Hyperallergic: Sensitive to Art & its Discontents
2013-10-30

Ryan Wong

Starting with its title, the group exhibition War Baby/Love Child: Mixed Race Asian American Art  at Seattle’s Wing Luke museum asks a provocative question: how do those seen by Americans as products of either colonial domination or subversive desire move past those categories? How do they escape, as the curators put it, an “identity defined by their parentage,” “fixed in the status of infants or children”?

Paradoxically, War Baby/Love Child begins with that parentage in order to make room for the artist to grow past it. Organized by Laura Kina and Wei Ming Dariotis, it is the most significant exhibition on the subject since Kip Fulbeck’s groundbreaking Hapa Project, which began in 2002. In the decade since, we have seen America’s multiracial population grow a third, to 9 million, not to mention the election of our first mixed race President…

Read the entire article here.

Behind the Curtain | Race is common theme in local exhibits

City Living Seattle
2013-09-19

Jessica Davis, Columnist

According to the 2000 Census, Washington state ranks ninth in the country for interracial marriages. Overall, people of color make up more than 34 percent of Seattle residents.

“RACE: Are We So Different?” at the Pacific Science Center and the Wing Luke Museum of the Asian Pacific American Experience’s exhibit “War Baby/Love Child” each take a different angle on racial themes and address some common misconceptions about race.

“There is a lot of great work being done by all sizes of local arts and cultural groups around the topic of race,” said Diana Johns, vice president of exhibits for Pacific Science Center. “Pacific Science Center is happy to be able to contribute to this continuum of broader community conversation alongside local institutions like the Wing.”…

…Different races, approaches

The Wing’s exhibit “War Baby/Love Child: Mixed Race Asian American Art,” curated by DePaul University associate professor Laura Kina and San Francisco State University associate professor Wei Ming Dariotis, includes works by 19 mixed-race artists and brings to light the different approaches to the identities and experiences of mixed Asian Americans and mixed Pacific Islander Americans.

The project makes visible underrepresented histories with Asian-American studies, mixed-race studies and contemporary art. Through video, installation and other approaches, artists explore a range of topics, including multiculturalism, gender and sexual identity, citizenship and nationality, and transracial adoption.

One such piece, “Guardian,” a painting at the entrance of the exhibit, gives a nod to creator Louie Gong’s Native and Chinese roots, with two foo dogs and three eagles stacked like a totem pole…

Read the entire article here.

War Baby / Love Child: Mixed Race Asian American Art

curated by:

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Wei Ming Dariotis, Associate Professor Asian American Studies
San Francisco State University

Wing Luke Museum of the Asian Pacific American Experience
2013-08-09 through 2014-01-19
719 S. King Street Seattle, WA 98104
206-623-5124

Opening Reception: Thursday, August 8, 2013 @ 6-8pm

Join us for the opening reception of War Baby/Love Child on Thursday, August 8. Curators Laura Kina and Wei Ming Dariotis will be in attendance, as will exhibiting artists Louie Gong, Richard Lou, Stuart Gaffney, Jenifer Wofford, and Lori Kay.

You are invited to the 6-7pm preview and reception program. Light refreshments will be served. Please send in an RSVP to Maria Martinez or call 206.623.5124, ext 107.

7-8pm Open to the public (no RSVP needed). Free admission.

This exhibition brings together works by 19 artists, highlighting different approaches to the identities and experiences of mixed Asian Americans, mixed Pacific Islander Americans and Asian transracial adoptees. While their biographies are varied and often diverge from the dominant stereotypes of mixed Asian identities, their lives are shaped by the specific histories of Asian Pacific-U.S. collisions: narratives of war, economic and political migration and colonization. As an ethnically ambiguous Asian American generation comes of age in a world fixated on post-racial politics and moving beyond issues of identity, War Baby/Love Child: Mixed Race Asian American Art examines how artists engage various facets of hybridity in their artwork.

Artists: Mequitta Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-lan, Richard Lou, Samia Mirza, Chris Naka, Laurel Nakadate, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Jenifer Wofford, Debra Yepa-Pappan.

Read more about the exhibition here.

War Baby/Love Child: Mixed Race Asian American Art Opening Reception

Wing Luke Museum
719 South King Street
Seattle, Washington
Thursday, 2013-08-08, 18:00-20:00 PDT (Local Time)

Join us for the opening reception of War Baby/Love Child: Mixed Race Asian American Art.

As an increasingly ethnically ambiguous Asian American generation is coming of age, this multi-platform project looks at how mixed-heritage Asian American artists address hybrid identities in their artwork. The exhibit features work by an ethnically diverse set of artists, including Kip Fulbeck, Louie Gong, and Amanda Ross-Ho.

Curators Laura Kina and Wei Ming Dariotis will be in attendance at the opening, as will several artists featured in the exhibit.

For more on the exhibit, visit http://www.warbabylovechild.com/

6-7pm: Preview for museum members and invited guests. RSVP to mmartinez@wingluke.org or 206.623.5124 ext 107.

7-8pm: Open to the public. Free admission, no RSVP required.

For more information, click here.

‘War Baby’ is something to see, if you can let go

The Chicago Tribune
2013-05-08

Lori Waxman, Instructor of Art History, Theory and Criticism
School of the Art Institute of Chicago

It was the Hello Kitty tepee that did it for me.

Some exhibitions can be so challenging that it takes a particularly unexpected artwork for the viewer to finally let go and get into the swing of things. “War Baby/Love Child: Mixed Race Asian American Art,” currently up at the DePaul Art Museum and featuring work by a dozen-and-a-half artists, is one such show. A riotously colored digital print by Debra Yepa-Pappan featuring a purple-haired Native American woman, lifted from an iconic Edward S. Curtis photograph and set against a background of space-age tepees, one of them marked with the equally iconic and silent face of everybody’s favorite Japanese cat, is one such artwork.

Hilarious and weird and crazily of its time — i.e., now — Yepa-Pappan’s collage lifted my thoughts up and over the various stumbling blocks that “War Baby/Love Child” presents. Curated by Laura Kina, an artist and DePaul professor, and Wei Ming Dariotis, a professor of Asian-American Studies at San Francisco State University, the cogitative but overdetermined exhibition sets up a Catch-22. It wants to recognize the complex realities of a fast-growing segment of the American population — the 2.6 million who identify as Asian plus one or more other races — and to prove how far beyond stereotype those people go. And yet, two gargantuan cliches give their name to the exhibition itself.

The term “war babies” generally refers to the children of Asian or Pacific Islander women and the U.S. soldiers who were stationed in their home countries during World War II, the Korean War and the Vietnam War. “Love children” were born of the free love of a post-civil rights and flower-child era, and, as listed in the extensive exhibition catalog, their makeup includes Eurasians and Hapas (Mixed White Asians), Mixed Bloods (Mixed Asian Native Americans), Blasians (Mixed Black Asians) and Mestizaje (Mixed Latino Asians).

“War Baby/Love Child” thus finds itself in the counterintuitive position of wanting to replace its own title with a dozen less-loaded ones. Wall labels are one tool, and the ones here list an astonishing array of mixed identities as well as direct quotes from most of the artists, many of whom speak about personal experiences growing up amid racial presumption…

Read the entire article here.

Opening 4/25: “War Baby / Love Child: Mixed Race Asian American Art”

DePaul Art Museum
Chicago, Illinois
2013-04-16

CHICAGO — The DePaul Art Museum explores the construction of mixed-heritage Asian American identity in the United States with “War Baby/Love Child: Mixed Race Asian American Art,” which opens April 25.

“It gives visibility to the increasingly mixed generation coming of age by highlighting artworks that map personal biography and the construction of mixed heritage Asian American identity against U.S. and transnational histories,” said Laura Kina, exhibit curator. Kina is a Vincent de Paul Professor and founding member of Global Asian Studies at DePaul University, where she also is an associate professor of art, media and design in the College of Liberal Arts and Social Sciences.

An opening reception will be held from 6 to 8 p.m. April 25 at the museum, located at 935 W. Fullerton Ave., just east of the CTA’s Fullerton ‘L’ stop. The museum is free and open to the public every day. The exhibition runs through June 30.

“Through traditional media as well as video, installation and other approaches, artists explore a range of topics, including U.S. wars in Asia, multiculturalism and identity politics, racialization, gender and sexual identity, citizenship and nationality, and transracial adoption,” said Kina. She co-edited a book of the same title with Wei Ming Dariotis, an associate professor of Asian American studies at San Francisco State University.

Artists featured in the exhibition include Mequitta Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-Lan, Richard Lou, Samia Mirza, Chris Naka, Laurel Nakadate, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Jenifer Wofford and Debra Yepa-Pappan…

Read the entire press release here.

War Baby/Love Child: Mixed Race Asian American Art [Exhibition]

DePaul Art Museum
935 West Fullerton
Chicago, Illinois 60614
2013-04-25 through 2013-06-30

As an increasingly ethnically ambiguous Asian American generation is coming of age, War Baby/Love Child: Mixed Race Asian American Art looks at the construction of mixed-heritage Asian American identity in the United States. Working in traditional media as well as video, installation, and other approaches, artists explore a range of topics, including US wars in Asia, multiculturalism and identity politics, racialization, gender and sexual identity, citizenship and nationality, and trans-racial adoption.

The exhibition features works across diverse mediums by emerging, mid-career and established artists who reflect a breadth of mixed heritage ethno-racial and geographic diversity: Mequitta Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-lan, Richard Lou, Samia Mirza, Chris Naka, Laurel Nakadate, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Jenifer Wofford, and Debra Yepa-Pappan.

Major funding for this exhibition was awarded through The National Endowment for the Arts Art Works Museums grant to DePaul University.

For more information, click here.

War Baby/Love Child: Mixed Race Asian American Art

University of Washington Press
January 2013
304 pages
63 illustrations, 44 in color, maps
7 x 10 in.
ISBN: 978-0-295-99225-9

Edited by

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Wei Ming Dariotis, Associate Professor Asian American Studies
San Francisco State University

Cover art by Mequitta Ahuja

War Baby/Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai’i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of “optional identity,” this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.

Visit the website here.

Design Yourself: IAMNMAI Art Jam

National Museum of the American Indian
Potomac Atrium, 1st level
Fourth Street & Independence Ave., S.W.
Washington, D.C.
2012-12-08, 19:00-22:00 EST (Local Time)

Design Yourself: IAMNMAI Art Jam” is an artistic partnership designed to explore issues of identity, community and mixed heritage through art while reminding us that everyone, in their own way, is part of the National Museum of the American Indian (NMAI).

The program features Louie Gong (Nooksack/Chinese/Scottish/French), a Seattle-based educator and artist, and his newly-released customizable art toy dubbed “Mockups.” Local guest artists including Lee Newman, Chris Pappan, Lisa Schumaier and Debra Yepa-Pappan and visitors join him for an interactive evening of creativity, music, and celebration.

“Mock-ups” are available for purchase and art supplies are provided for those who wish to customize their Mockups at the museum.

Groove to local DJ Will Eastman and purchase cuisine from the museum’s Rammy award-winning Mitsitam Native Foods Cafe during the program.

A unique display of artwork, including Gong’s custom shoes and “Mockups” created by guest artists, is on view in the Potomac Atrium Dec. 4 – 13.

For more information, click here.