Mixed Race Studies

Mixedblood Messages: Literature, Film, Family, Place

University of Oklahoma Press
2001
288 pages
5.25″ x 8.5″
Illustrations: 17 b&w photos
Paperback ISBN: 9780806133812

Louis Owens (1948-2002), Professor of English and Native American Studies
University of California, Davis

In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe “Indian Territory” that will contain and neutralize Indians. Countering this colonial “Territory” is what Owens defines as “Frontier,” a dynamic, uncontainable, multi-directional space within which cultures meet and even merge.

Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D’Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves. As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental — as well as cultural—survival, and to explore and share these messages by writing and reading across cultural boundaries.

Mixing Race, Mixing Culture: Inter-American Literary Dialogues

University of Texas Press
2002
6 x 9 in.
324 pp., 4 photos, 1 chart
ISBN: 978-0-292-74348-9
Print-on-demand title

Edited by

Monika Kaup, Assistant Professor of English
University of Washington, Seattle

Debra Rosenthal, Assistant Professor of English
John Carroll University

Over the last five centuries, the story of the Americas has been a story of the mixing of races and cultures. Not surprisingly, the issue of miscegenation, with its attendant fears and hopes, has been a pervasive theme in New World literature, as writers from Canada to Argentina confront the legacy of cultural hybridization and fusion.

This book takes up the challenge of transforming American literary and cultural studies into a comparative discipline by examining the dynamics of racial and cultural mixture and its opposite tendency, racial and cultural disjunction, in the literatures of the Americas. Editors Kaup and Rosenthal have brought together a distinguished set of scholars who compare the treatment of racial and cultural mixtures in literature from North America, the Caribbean, and Latin America. From various angles, they remap the Americas as a multicultural and multiracial hemisphere, with a common history of colonialism, slavery, racism, and racial and cultural hybridity.

Table of Contents

• Acknowledgments
• Introduction
• I. Mixed-Blood Epistemologies
  1. Werner Sollors, Can Rabbits Have Interracial Sex?
  2. Doris Sommer, Who Can Tell? The Blanks in Villaverde
  3. Zita Nunes, Phantasmatic Brazil: Nella Larsen‘s Passing, American Literary Imagination, and Racial Utopianism
• II. Métissage and Counterdiscourse
  1. Françoise Lionnet, Narrating the Americas: Transcolonial Métissage and Maryse Condé‘s La Migration des coeurs
  2. Michèle Praeger, Créolité or Ambiguity?
• III. Indigenization, Miscegenation, and Nationalism
  1. Priscilla Archibald, Gender and Mestizaje in the Andes
  2. Debra J. Rosenthal, Race Mixture and the Representation of Indians in the U.S. and the Andes: Cumandá, Aves sin nido, The Last of the Mohicans, and Ramona
  3. Susan Gillman, The Squatter, the Don, and the Grandissimes in Our America
• IV. Hybrid Hybridity
  1. Rafael Pérez-Torres, Chicano Ethnicity, Cultural Hybridity, and the Mestizo Voice
  2. Monika Kaup, Constituting Hybridity as Hybrid: Métis Canadian and Mexican American Formations
• V. Sites of Memory in Mixed-Race Autobiography
  1. Rolando Hinojosa-Smith, Living on the River
  2. Louis Owens, The Syllogistic Mixedblood: How Roland Barthes Saved Me from the indians
• Coda: From Exoticism to Mixed-Blood Humanism
  1. Earl E. Fitz, From Blood to Culture: Miscegenation as Metaphor for the Americas
• Contributors
• Works Cited
• Index

Read the entire introduction here.