Mixed Race Studies

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction

University of Minnesota Press
July 2012
336 pages
9 b&w photos
5 1/2 x 8 1/2
paper ISBN: 978-0-8166-7099-4
cloth ISBN: 978-0-8166-7098-7

Diana Rebekkah Paulin, Associate Professor of English and American Studies
Trinity College, Hartford, Connecticut

Imperfect Unions examines the vital role that nineteenth- and twentieth-century dramatic and literary enactments played in the constitution and consolidation of race in the United States. Diana Rebekkah Paulin investigates how these representations produced, and were produced by, the black–white binary that informed them in a wide variety of texts written across the period between the Civil War and World War I—by Louisa May Alcott, Thomas Dixon, J. Rosamond Johnson, Charles Chesnutt, James Weldon Johnson, William Dean Howells, and many others.

Paulin’s “miscegenated reading practices” reframe the critical cultural roles that drama and fiction played during this significant half century. She demonstrates the challenges of crossing intellectual boundaries, echoing the crossings—of race, gender, nation, class, and hemisphere—that complicated the black–white divide at the turn of the twentieth century and continue to do so today.
 
Imperfect Unions reveals how our ongoing discussions about race are also dialogues about nation formation. As the United States attempted to legitimize its own global ascendancy, the goal of eliminating evidence of inferiority became paramount. At the same time, however, the foundation of the United States was linked to slavery that served as reminders of its “mongrel” origins.

Contents

• Introduction. Setting the Stage: The Black–White Binary in an Imperfect Union
• 1. Under the Covers of Forbidden Desire: Interracial Unions as Surrogates
• 2. Clear Definitions for an Anxious World: Late Nineteenth-Century Surrogacy
• 3. Staging the Unspoken Terror
• 4. The Remix: Afro-Indian Intimacies
• 5. The Futurity of Miscegenation
• Conclusion: The “Sex Factor”and Twenty-first Century Stagings of MiscegeNation
• Acknowledgments
• Notes
• Index

Illegal fictions : white women writers and the miscegenated imagination 1857-1869 (E. D. E. N. Southworth, Louisa May Alcott, Rebecca Harding Davis, Lydia Maria Child)

Indiana University
2000

Katharine Nicholson Ings, Associate Professor of English
Manchester College, North Manchester, Indiana

This dissertation examines how popular nineteenth-century white women writers depicted interracial romance in their fiction. I focus on E. D. E. N. Southworth, Louisa May Alcott, Rebecca Harding Davis, and Lydia Maria Child, authors who composed what I call illegal fictions, largely neglected works that explored the possibilities of interracial unions between blacks and whites. These authors, all abolitionists, denounce slavery in their works while simultaneously reflecting upon the limitations of the feminine roles that they were expected to play in society.

I approach their fictions through three critical lenses: racial theory, sentimental narrative theory, and biography to determine the implications of the hybrid individual, national, and textual identities present in the narratives and in the authors’ lives. On the one hand, these illegal fictions attempt to negotiate the tension between white women and black men and women, each of whom strove to be recognized as citizens. On the other hand, their fictions point to how the idea of miscegenation literally a mixing of races informed the creativity of these women authors during the years spanning the Civil War. At the imaginative level the authors offer visions of either a successful or failed multicultural America; at the generic level they engage in a blending of forms: slave narrative merges with the sentimental novel to initiate a dialogue between African and Caucasian American literary traditions.

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The American Prejudice Against Color: An Authentic Narrative, Showing How Easily The Nation Got Into An Uproar

Northeastern University Press
University Press of New England
2002 (originally published in 1853)
224 pages
5 1/2 x 8 1/2″
EAN: 978-1-55553-545-2

William G. Allen, Professor of Classics
New York Central College

Mary King

Louisa May Alcott

Edited by

Sarah Elbert, Professor Emerita of History
The State University of New York, Binghamton

A compilation of the explosive reactions to interracial love and marriage in antebellum America.

In 1853, William G. Allen, the “Coloured Professor” of Classics at New York Central College, became engaged to Mary King, a student at the coeducational, racially integrated school and daughter of a local white abolitionist minister. Rumors of their betrothal incited a mob of several hundred men armed with “tar, feathers, poles, and an empty barrel spiked with shingle nails.” Allen and King narrowly escaped with their lives, married in New York City, and then fled as fugitives to England and Ireland.

Their love story and brave resistance were recorded in engrossing detail by Allen in two pamphlets-The American Prejudice Against Color: An Authentic Narrative, Showing How Easily the Nation Got into An Uproar (1853) and A Short Personal Narrative (1860). Reproduced here in their entirety, Allen’s forthright, eloquent, and ironic accounts, which include excerpts from abolitionist and anti-abolitionist newspaper reports about the incident, drew renewed threats against the exiled pair as well as support from the couple’s circle of antislavery friends and allies, a diverse group including Harriet Beecher Stowe, Beriah Green, Gerrit Smith, Reverend Samuel J. May, and George Thompson.

The experiences related by Allen vividly illustrate the rampant fears of “amalgamation” that sparked violent protests in antebellum America. He also reveals white abolitionists’ contradictions regarding mixed-race relationships. Also contained in this volume is Louisa May Alcott’s M.L., a fictional tale of interracial love based on her familiarity with the Allen-King episode through her abolitionist uncle, the Reverend Samuel J. May. Alcott’s story was refused by The Atlantic magazine because, she said, it “might offend the dear South.”

An insightful introduction by editor Sarah Elbert places the writings within a historical and cultural context. She details William G. Allen’s notable career as a graduate of the Oneida Institute and as an active abolitionist in the network reaching from New York’s North Star Country through Boston, Canada, England, and Ireland. In exile, William and Mary King Allen, important members of the trans-Atlantic movement, continued their struggle for “free association” and supported their family by teaching poor children in London.

Read the entire book here or here.

Louisa May Alcott On Race, Sex, And Slavery

Northeastern University Press
University Press of New England
1997
160 pages
EAN: 978-1-55553-307-6

Louisa May Alcott

Edited by

Sarah Elbert, Professor Emerita of History
The State University of New York, Binghamton

The passionate supporter of abolition and women’s rights speaks out on the most controversial issues of the day.

Louisa May Alcott championed women’s causes in gothic tales of interracial romance and in newspaper articles published during the Civil War. Drawn from her service as a nurse in a Union hospital as well as from her radical abolitionist activities, these writings allow Alcott to comment boldly on unstable racial identities, interracial sex and marriage, armed slave rebellion, war, and the links between the bondage of slaves and the conditions of white womanhood. A comprehensive introduction situates Alcott and her family within the network of antebellum reformers and unmasks her personal and literary struggles with the boundaries of race, sex, and class.