The L.A. Scene: Teaching Race and Popular Music in the 1950sPosted in Articles, Arts, History, New Media, United States on 2012-10-01 19:50Z by Steven |
The L.A. Scene: Teaching Race and Popular Music in the 1950s
Organization of American Historians Magazine of History
Volume 26, Issue 4
pages 17-20
DOI: 10.1093/oahmag/oas030
Luis Alvarez, Associate Professor of History
University of California, San Diego
In 1956, Little Julian Herrera had one of the biggest rhythm and blues hits of the year in Los Angeles. His soulful, doo-wop style ballad, “Lonely Lonely Nights,” turned Herrera into an overnight sensation. He was soon known across the city for spectacular live performances that later drew comparisons to a young James Brown. He became a teen idol and heartthrob among Mexican American girls on the Eastside. What many of his fans may not have known, however, was that Herrera was neither Mexican American nor from L.A. He was an East Hungarian Jew who had run away from his Massachusetts home at age eleven. His given name was Ezekiel, though his probation officer knew him as Ron Gregory. After hitchhiking to Southern California, he was taken in by a Mexican American family in the Boyle Heights neighborhood of East L.A. and eventually took their surname as his own.
“Lonely Lonely Nights” was produced by the legendary Johnny Otis. Born the son of Greek immigrants in Vallejo, California, Otis came of musical age as a drummer and bandleader playing African American jazz and blues joints along Central Avenue in L.A. By the mid-1950s when he helped launch Little Julian Herrera into local stardom, Otis already was a formidable figure in the L.A. music scene who soon became known as the “Godfather of Rhythm and Blues.” He produced records, hosted radio and television programs, and organized dances and concerts. He was also regularly harassed by local authorities for creating and promoting music whose performers and audiences often crossed racial lines. Otis, in fact, considered himself “black by persuasion.” He once remarked, “Genetically, I’m pure Greek. Psychologically, environmentally, culturally, by choice, I’m a member of the black community”. In a scenario emblematic of the racial diversity of L.A.’s 1950s…
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