Mixed Race Studies

Scholarly perspectives on the mixed race experience.

Given the historical fact that White supremacy has been constructed by Whites for the benefit of Whites, White supremacy is routinely interpreted as a code word for White people. However, White supremacy is more than a collection of White people. As a system, many people participate in it, and as an ideology, many people think, feel, behave, and operate according to it, and in many ways defend and uphold it—White and “non-White” alike. The institution of colorism exemplifies how “non-Whites” serve to uphold White supremacy. For example, while most individuals who bleach their skin vehemently reject accusations that they desire to be White, and in fact are aware that no amount of chemical intervention will actually render them White nor will Whites, the gatekeepers to Whiteness, ever grant them access to the racial or social category, as they seek to gain access to the privilege that has historically been afforded to lighter skin as an approximation of Whiteness, they endorse the constructed superiority of Whiteness and thus White supremacy. As such, any true understanding of White supremacy must transcend focus on White people and physical White power alone. It must address White supremacy as an ideology and confront the psychological power of Whiteness.

Yaba Amgborale Blay, “Skin Bleaching and Global White Supremacy: By Way of Introduction,” The Journal of Pan African Studies, (Volume 4, Number 4, June 2011): 7-8.

Miscegenating Racial Representations: Critical Mixed Race Strategies and the Visual Arts

Posted in Arts, Live Events, Media Archive, United States on 2014-02-13 02:46Z by Steven

Miscegenating Racial Representations: Critical Mixed Race Strategies and the Visual Arts

College Art Association 102nd Annual Conference
Hilton Chicago
720 South Michigan Avenue
International South, 2nd Floor
Chicago, Illinois 60605
2014-02-15, 14:30-17:00 CST (Local Time)

Chairs:

Laura Kina, Associate Professor Art, Media and Design
DePaul University

Margo Machida, Associate Professor of Art History and Asian American Studies
University of Connecticut

This session will examine critical mixed race strategies for the miscegenation of racial representation in the visual arts. The 2000 U.S. Census was first to allow individuals to self enumerate as more than one race. Making multiracial populations visible both expanded the borders, blurred and posed a potential threat to existing monoracial categories. Beginning in the early 2000s there was a simultaneous neoliberal and conservative push for a postidentitarian/ postracial moment posed against the putative ossification of multicultural racial identity constructs. Curatorial frameworks and studio practices centered on race as a locus of investigation were challenged if not rendered invisible and seemingly obsolete. And yet race and attendant cultural issues have demonstrably remained pertinent for artistic production and analysis. A double tension has resulted in moves to both recognize the continuing importance of race and the critical push to reframe and disarticulate categories that cannot contain the complexity of increasingly miscegenated peoples, histories, and subjectivities. We will consider how dominant conceptions of race have changed (or not) in the visual arts as a result of the mounting discourses and bodies of artistic production that bring forward mixed race identity in various domestic, transnational and international contexts.

Beyond the Bronze Venus
Alison Fraunhar, Associate Professor of Art and Design
Saint Xavier University

Sensory Miscegenations: Representing Multiracial Bodies
Sita Kuratomi Bhaumik, California College of the Arts

Lacuna
Maya Isabella Mackrandilal, Independent Artist

Liminal Embodiments
Zavé Martohardjono, Independent Artist

Risky Subjectivity: Select Works by Korean Adoptee Artists
Eun Jung Park, Independent Scholar

Tags: Alison Fraunhar, College Art Association, Eun Jung Park, Laura Kina, Margo Machida, Maya Isabella Mackrandilal, Sita Kuratomi Bhaumik, Zavé Martohardjono

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Miscegenating Racial Representations: Critical Mixed Race Strategies and the Visual Arts

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