Mixed Race Studies

“I’m quite interested in thinking about that notion of the hyphen. That little thing that’s in-between. Let’s say, “Chinese-Canadian,” or “Japanese-Canadian.” I like to challenge those two poles, those two hegemonous poles who want to claim a part of me. Because I feel like I’ve lived in-between and I like the in-between.  It’s a place that I would like to spruce-up a bit. I like to, you know, put some nice furniture in the in-between place.” —Fred Wah

Anne Marie Nakagawa, “Between: Living in the Hyphen,” National Film Board of Canada, (2005): 00:0:28-00:01:02.

Race Is a Four-Letter Word

National Film Board of Canada
2006
00:55:21

Sobaz Benjamin

Speaking biologically, ‘race’ is a spectral concept. Black, brown, red, white, and yellow, considered purely as skin colours, merit no more significance than a tattoo. The ‘skin your’re in’ is about as meaningful as ectoplasm.

Scientists remind us that not only are we all essentially the same, but we all have the same genetic ancestor. Eve was a black, African woman.

Nevertheless, history and politics, sociology and economics, transform skin colour – ‘race’ – into either a golden sheathe or a leaden prison of shame.

In Europe and North America, blackness can still seem a burden. It can still brand its possessors as uncivilized, exotic, and menacing. But it can also be prized, lusted after and viewed as a precious enhancement, like gold foil.

In Race Is a Four-Letter Word, director Sobaz Benjamin highlights Canadian contradictions and conflicts around race. Heroically, he exposes himself, too: a black man who grew up hating himself, trying to bleach his skin with chemicals, and then struggling to appreciate the meaning of his culture and heritage as an ‘Afro-Saxon’ Briton, then Grenadian and now Haligonian-Nova Scotian-Canadian.

Courageously, Benjamin strips away the masks and armour of race, of blackness and whiteness, to reveal the vulnerable and human, including that very sex that inspires so much primal envy and dread. This brave film forces us to unmask and to look unflinchingly at our real selves.

Sobaz Benjamin showcases the stories of a white man who is culturally and psychologically black; of a black woman who wants to be considered iconically Canadian; of another black woman who retreats to England rather than continue to face Canada’s racial cold war; and of himself, a black man who has learned to love his complexity.

In the end, Race Is a Four-Letter Word teaches us that the soul has no colour. Yet, we also learn that race is a marathon we are all forced to run.

Race Is a Four-Letter Word was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.

The Colour of Beauty

National Film Board of Canada
2010
00:16:50

Elizabeth St. Philip

Renee Thompson is trying to make it as a top fashion model in New York. She’s got the looks, the walk and the drive. But she’s a black model in a world where white women represent the standard of beauty. Agencies rarely hire black models. And when they do, they want them to look “like white girls dipped in chocolate.”

The Colour of Beauty is a shocking short documentary that examines racism in the fashion industry. Is a black model less attractive to designers, casting directors and consumers? What is the colour of beauty?

View the French version here.

Between: Living in the Hyphen

National Film Board of Canada
2005
00:43:43

Anne Marie Nakagawa

Anne Marie Nakagawa’s documentary examines what it means to have a background of mixed ancestries that cannot be easily categorized. By focusing on 7 Canadians who have one parent from a European background and one of a visible minority, she attempts to get at the root of what it means to be multi-ethnic in a world that wants each person to fit into a single category. Finding a satisfactory frame of reference in our ‘multicultural utopia’ turns out to be more complex than one might think. Between: Living in the Hyphen offers a provocative glimpse of what the future holds: a departure from hyphenated names towards a celebration of fluidity and being mixed.

Long Lance

National Film Board of Canada
1986
Running Time: 00:55:00

Bernie Dichek, Director

Was he a black man, a white man, or an Indian chief? This documentary looks at legendary and fascinating impostor Chief Buffalo Child Long Lance. In the early 1900s, he garnered international acclaim as a soldier, journalist, writer, photographer, bon vivant and movie star. But despite his very public life, his origins remain a mystery. Based on a book by Donald Smith, this film outlines Long Lance’s almost unbelievable life story.

For more information, click here.

Maroon – On the Trail of Creoles in North America

National Film Board of Canada
2005
Running Time: 01:15:08

André Gladu, Director

Colette Loumède, Producer

Louisiana’s Creole culture helped shape the New World and contributed to the emergence of jazz. But what remains of this unique, mixed-race society, with roots in France, Africa, the Caribbean, Spain and America? Maroon searches for the origins of this little-understood and endangered culture and show how it is doing today. In this second part of his La piste Amérique series, documentary filmmaker André Gladu continues his exploration of the Francophone presence in North America. Maroon is a vibrant travelogue that goes back into history in order to shed light on the present. In French with English subtitles.

For more information, click here.