Mixed Race Studies

Paintings Of Barack And Michelle Obama Unveiled At Portrait Gallery

National Public Radio
2018-02-12

Camila Domonoske

Former President Barack Obama and former first lady Michelle Obama stand next to their newly unveiled portraits during a ceremony Monday at the Smithsonian’s National Portrait Gallery in Washington, D.C. Mark Wilson/Getty Images

Brand new portraits of former president Barack Obama and former first lady Michelle Obama — wearing matching calm, strong expressions — were revealed on Monday at the National Portrait Gallery in Washington, D.C.

Kehinde Wiley painted Barack Obama sitting in a chair, elbows in his knees, leaning forward with an intense expression. The background, typical of a Wiley painting, is a riotous pattern of intense greens.

“Pretty sharp,” Obama said with a grin.

Amy Sherald, a Baltimore-based artist, painted Michelle Obama sitting in a floor-length gown, chin on her hand, looking directly at the viewer with a calm, level gaze.

The paintings, like the presidency they honor, are a historic first. Wiley and Sherald — both already famous for their portraits of black Americans — are the first black painters to receive a presidential portrait commission from the museum…

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Barack Obama [Recent Acquisition of the Smithsonian National Portrait Gallery]

National Portrait Gallery
Washington, D.C.

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The Black List: Photographs by Timothy Greenfield-Sanders

National Portrait Gallery, Smithsonian Institution
Eigth and F Streets, NW
Washington, D.C.
Open daily: 11:30-19:00 ET
2011-10-28 through 2012-04-22

Curator: Ann Shumard
Historian: David C. Ward

 
Portraits by Timothy Greenfield-Sanders — Individual prints are Epson inkjet prints, 147.3 x 111.8 cm (58 x 44 in.)

What is a “black list”? The dictionary defines it as “a list of persons who are disapproved of or are to be punished or boycotted.” But imagine if the black list were a roll call of distinction rather than of disenfranchisement? What if being on the black list was a point of pride rather than dread? What if the black list could shed its negative connotation to become a term of affirmation and empowerment like black pride, black power, or black is beautiful?

These are some of the questions that prompted photographer Timothy Greenfield-Sanders (born 1952) to embark on a portrait project to create an entirely new kind of black list—a visual “who’s who” of African American men and women whose intelligence, talent, and determination have propelled them to prominence in disciplines as diverse as religion, performing arts, medicine, sports, art, literature, and politics.

Although these individuals have traveled different paths to success, all share a deep-seated activism that has carried them over daunting obstacles and continues to be a driving force in their lives. If the new black list represents a chronicle of African American achievement, the fifty men and women pictured here surely merit inclusion on its rolls.

Artist Statement

On February 24, 2005, Toni Morrison was having lunch in my East Village kitchen. The conversation turned to “divas,” as Toni described the extraordinarily talented performers she had auditioned for her opera, Margaret Garner. “Timothy, we should do a portrait book on these women. “Call it . . . Black Divas.”

It got me thinking about all the African Americans I knew and had photographed. I made a list: Toni of course, David Hammons, Bill T. Jones, and Colin Powell quickly came to mind…

Read the entire Artist Statement here.

Author Talk and Book Signing: Bob Luke

National Portrait Gallery
Bookstore
Eighth and F Streets NW
Washington, D.C.
2011-10-19, 18:00-19:00 EDT (Local Time)

Bob Luke discusses and signs copies of The Most Famous Woman in Baseball: Effa Manley and the Negro Leagues. Manley’s life played out against the backdrop of the Jim Crow years, when discrimination forced most of Newark’s blacks to live in the Third Ward, where prostitution flourished, housing was among the nation’s worst, and only menial jobs were available. Manley and the Eagles gave African Americans a haven, Ruppert Stadium. She was a force of nature—and, as Bob Luke shows, one to be reckoned with. From 1936 to 1948, she ran the Negro league Newark Eagles, which her husband, Abe, owned for roughly a decade. Because of her business acumen, commitment to her players, and larger-than-life personality, she would leave an indelible mark not only on baseball but also on American history.

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