Mixed Race Studies

‘It’s no disgrace to a colored girl to placer’: Sexual Commodification and Negotiation among Louisiana’s “Quadroons,” 1805-1860

Ohio State University
2014
284 pages

Noel Mellick Voltz

Doctor of Philosophy in History

In 1805, a New Orleans newspaper advertisement formally defined a new social institution, the infamous Quadroon Ball, in which prostitution and plaçage – a system of concubinage – converged. These balls, limited to white men and light-skinned, free “Quadroon” women, became an interracial rendezvous that provided evening entertainment and the possibility of forming sexual liaisons in exchange for financial “sponsorship.” At these balls, money and other forms of payment were exchanged for the connubial placement of free women of color with wealthy white men.

My dissertation entitled, “‘It’s no disgrace to a colored girl to placer’: Sexual Commodification and Negotiation Among Louisiana’s “Quadroons,” 1805-1860” seeks to understand how free women of color used sex across the colorline as a tool of negotiation in various spaces, like the Quadroon Ballroom, in antebellum Louisiana. More specifically, utilizing contemporary travelers’ journals, newspapers, poems, songs, letters, notarial and ecclesiastical records, court cases and other legal documents, my dissertation examines the sexual agency exerted by Louisiana’s free women of color in four sites of contestation – the body, the ballroom, the courtroom and the sanctuary.

Free women of color occupied a precarious position in antebellum Louisiana, often subjugated because of their race, gender and class; yet, this very positioning also afforded them a space in which to maneuver socially and economically. I contend that in these literal and figurative spaces, these women drew upon their sexuality to make strategic claims to their freedom advancing themselves socially and economically. This work pushes the boundaries of current scholarship engaging questions of sexual agency and trauma, race and identity, hegemonic myth and cultural reappropriation. In so doing, I build upon and push beyond historiographic discussions of the fetishizing and fanticizing gaze of white men and the overly simplistic dichotomous images of the hypersexualized jezebel and the totally victimized yet “respectable” free woman of color. Ultimately, this research illuminates a more nuanced understanding of black female agency in the antebellum era.

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Quadroon Balls functioned as a form of entertainment but also served a meeting space for its participants to enter into plaçage/sexual relationships. It was at these dances that free young women of color, guided by their mothers, charmed their way into the hearts and pockets of Louisiana’s white males. At the balls, quadroon women “show their accomplishments in dancing and conversation to the white men.” Upon finding a quadroon to his liking, a man would negotiate with the quadroon woman’s mother. If both mother and daughter were satisfied with his financial and social ranking, she would be “placed” as his placée. According to literary traveler George William Featherstonhaugh,

When one of them [a quadroon] attracts the attention of an admirer, and he is desirous of forming a liaison with her, he makes a bargain with the mother, agrees to pay her a sum of money, perhaps 2000 dollars, or some sum in proportion to her merits, as a fund upon which she may retire when the liaison terminates. She is now called “une placée;” those of her caste who are her intimate friends give her fetes, and the lover prepares “un joli appartement meuble.”

 Each quadroon had a “value” which “depended on the attractiveness of the subject, the fairness of her complexion, and her mother’s ability to show her off against the competition.” This “value” was derived through negotiations between the quadroon’s mother and the white suitor. If an agreement was reached, the quadroon would become a concubine or placée for the white man in exchange for financial support for the woman. These exchanges frequently meant that the quadroon woman would receive housing, a sum of money, and promised financial support for any children that would come from these relationships. The “price” for a quadroon varied, but could be as much as $2,000. Often times, the quadroon woman would be set up in an apartment (“un joli appartement meuble”) located on Ramparts Street in New Orleans that was rented by the white gentleman for their use. These plaçage relationships could last for weeks, months, years, and, much less frequently, a life-time. In these exchanges, sexual exploitation by both parties is particularly noticeable; the quadroon exploited the pocketbook and the man exploited her body.

Quadroon women who participated in the balls had been groomed from early childhood by their mothers to take advantage of this unique opportunity to become the exploiters, using their bodies, beauty and assumed exotic sexuality to enter into contracts with wealthy white men. Monique Guillory discusses this exchange that gives women some power when she states, “Through this strategic commodification of the quadroon body, which I have called the commercial, women of color seized an opportunity beyond the confines of slavery to set the price for their own bodies.” These quadroon women chose to use their bodies as leverage to raise their own social status above the “negro” slave and the dark-skinned free people of color. This population of women became agents who exploited themselves and white men in an effort to transcend the racist system of antebellum Louisiana.

Noël Voltz, “Black Female Agency and Sexual Exploitation: Quadroon Balls and Plaçage Relationships” (PhD dissertation, Ohio State University, 2008).

2007 URO Spotlight: Noel Voltz – History and African American Studies

Undergraduate Research Office
The Ohio State University

Noel Voltz is finishing her degree in African American and African Studies. She is currently writing her Honors Thesis and plans on continuing her research and pursuing a PhD in History.

…What specifically have you researched, and what projects are you currently working on?

My research project/honors thesis is entitled “Black Female Agency and Sexual Exploitation: Quadroon Balls and Plaçage Relationships” and I have been working on it for the past two years.  I am conducting historical research that focuses on New Orleans from 1805 to 1860.  More specifically, I am studying the relationship choices made by some of these free women of color.  It appears that some of these women chose to enter into sexual relationships with white men as a mean of gaining social standing, protection, and money.  Until recently, historians have overlooked the lives of Louisiana’s free women of color during the colonial and antebellum eras.  This research, therefore, expands historical knowledge about the unique social institution of Quadroon Balls and plaçage relationships in order to give greater breadth to our understanding of free women of color’s sexual and economic choices. Ultimately, I plan to continue this project as my graduate dissertation…

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Black Female Agency and Sexual Exploitation: Quadroon Balls and Plaçage Relationships

Ohio State University
May 2008
81 Pages

Noël Voltz
The Ohio State University

A Senior Honors Thesis Presented in Partial Fulfillment of the Requirements for graduation with research distinction in the undergraduate colleges of The Ohio State University

In 1805, a New Orleans newspaper advertisement formally defined a new social institution, the infamous Quadroon Ball, in which prostitution and plaçage–a system of concubinage–converged. These elegant balls, limited to upper-class white men and free “quadroon” women, became interracial rendezvous that provided evening entertainment and the possibility of forming sexual liaisons in exchange for financial “sponsorship.” It is the contention of this thesis such “sponsored” relationships between white men and free women of color in New Orleans enabled these women to use sex as a means of gaining social standing, protection, and money. In addition, although these arrangements reflected a form of sexual exploitation, quadroon women were able to become active agents in their quest for upward social mobility.

Until recently, historians have overlooked the lives of Louisiana’s free women of color during the colonial and antebellum eras. My research, therefore, expands historical knowledge about the unique social institution of Quadroon Balls and plaçage relationships in order to give greater breadth to scholarly understandings of quadroon women’s sexual and economic choices. This research formally began in summer 2006, during my participation in the Summer Research Opportunities Program (SROP) at the Ohio State University. Through this experience, I was able to begin analyzing the institution of Quadroon Balls and I have discovered the immense possibilities of this topic. While there are many directions that this research can take, I have decided to focus my undergraduate research and honors thesis on the history of the balls and quadroon women’s agency in antebellum New Orleans. In order to research these concepts, I have utilized a combination of primary sources and secondary sources written about women of color. In winter 2006, I was awarded an Undergraduate Research Scholarship and, with this money, I visited New Orleans and Baton Rouge to conduct archival research. My most recent trip to New Orleans and Baton Rouge has augmented my understanding of the topic by providing a large quantity of primary source materials, including court cases and other legal documents, as well as affording me an opportunity to experience archival research first hand in the actual historical environment in which the balls took place. Ultimately, I plan to continue my current research as my dissertation topic.

Table of Contents

Acknowledgments
Abstract
“The Quadroon Ballroom” Poem by Rixford J. Lincoln
Introduction and Historiographic Review
Chapter 1. A Historical Background of New Orleans’ Free Women of Color
Chapter 2. Plaçage Relationships
Chapter 3. Quadroon Balls
Chapter 4. Case Study: Five Generations of Women
Conclusion
Appendix
Bibliography

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