Mixed Race Studies

Scholarly perspectives on the mixed race experience.

We have been warned not to get under one another’s skin, to keep our distance. But Jordan Peele’s horror-fantasy—in which we are inside one another’s skin and intimately involved in one another’s suffering—is neither a horror nor a fantasy. It is a fact of our experience. The real fantasy is that we can get out of one another’s way, make a clean cut between black and white, a final cathartic separation between us and them. For the many of us in loving, mixed families, this is the true impossibility. There are people online who seem astounded that Get Out was written and directed by a man with a white wife and a white mother, a man who may soon have—depending on how the unpredictable phenotype lottery goes—a white-appearing child. But this is the history of race in America. Families can become black, then white, then black again within a few generations. And even when Americans are not genetically mixed, they live in a mixed society at the national level if no other. There is no getting out of our intertwined history.

Zadie Smith, “Getting In and Out,” Harper’s Magazine, July 2017. https://harpers.org/archive/2017/07/getting-in-and-out/.

A long history of accepting interracial couples and mixed race children exists in the black community, if only because no alternatives seem to exist.

Posted in Excerpts/Quotes on 2016-12-19 01:42Z by Steven

A long history of accepting interracial couples and mixed race children exists in the black community, if only because no alternatives seem to exist. James Baldwin laid bare this ugly truth during a televised debate with a white conservative. When asked about what whites feared most, “Would you want your [white] daughter to marry one [black]?” Baldwin retorted, “You’re not worried about me marrying your daughter—you’re worried about me marrying your wife’s daughter. I’ve been marrying your daughter since the days of slavery.”

Peter Cole, “Where Has All the Loving Gone? A Review of the New Film, ‘Loving’,” African American Intellectual History Society, November 27, 2016. http://www.aaihs.org/where-has-all-the-loving-gone-a-review-of-the-new-loving-film/.

Tags: AAIHS, African American Intellectual History Society, James Baldwin, Loving v. Virginia, Peter Cole

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Where Has All the Loving Gone? A Review of the New Film, ‘Loving’

Posted in Articles, Biography, Book/Video Reviews, History, Law, Media Archive, United States, Virginia on 2016-12-18 01:38Z by Steven

Where Has All the Loving Gone? A Review of the New Film, ‘Loving’

African American Intellectual History Society (AAIHS)
2016-11-27

Peter Cole, Professor of History
Western Illinois University

A new film about the Southern working class couple whose love and dedication broke the back of anti-miscegenation laws across the nation arrives just in time. Released days prior to Donald Trump’s election, viewers of Loving might be shocked to discover that anti-racist, blue-collared, white men—like Richard Loving—walked Southern soil. He was brave (or ignorant) enough to think he could get away with marrying a black woman; wise enough to know she was smarter than him. His deferral to her effort to seek legal counsel ultimately overturned laws banning interracial marriage in the landmark Supreme Court decision, Loving v. Virginia (1967).

Beneath the film, the Lovings’ story also speaks to the centuries-long effort by white supremacists to create a “white race” and defend it from “race-mixing”(also called miscegenation). In 1958, Richard Loving, 23, and Mildred Jeter, 17, married in the District of Columbia. They did so because Virginia outlawed interracial marriages, one of twenty-four states with similar laws at the time. Richard was “white,” Mildred “black” though actually a mixture of African American and Rappahannock Indian.

So began their nine-year odyssey that ended with the Court unanimously ruling that states could not prevent a man and a woman from marrying, regardless of their racial identities. Written and directed by Jeff Nichols, critics at Cannes hailed the motion picture and Oscar buzz has begun. The film deserves high praise and wide viewership, anchored by incredible performances from Ruth Negga and Joel Edgerton, the two principal actors…

Read the entire review here.

Tags: AAIHS, African American Intellectual History Society, Jeff Nichols, Joel Edgerton, Loving v. Virginia, Mildred Jeter, Peter Cole, Richard Loving, Ruth Negga

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Mixed Race Studies

A long history of accepting interracial couples and mixed race children exists in the black community, if only because no alternatives seem to exist.

Where Has All the Loving Gone? A Review of the New Film, ‘Loving’

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