Scholarly perspectives on the mixed race experience.
Black and white sexual pairings, therefore, became a widespread phenomenon that originated from a demographic imbalance, but expanded and developed through a cultural fetishization of women of color. The islands, built upon complex systems of violence and sexual control, promoted and legitimated interracial relationships. Caribbean visitors certainly held this impression. Pierre McCallum emphasized the importance of finding a lover of color in Trinidad: “On the arrival of the European, his first object is, to look out for a mistress, either of the black, yellow, or livid kind.” “As for the native creole,” McCallum continued, “a female companion is provided for him from among the slaves of the family, at an early age, to prevent his going astray to increase the stock of his neighbours.” McCallum’s account indicates the ubiquity of West Indian miscegenation, its role as a measure of status, and its sanction by all members of society, including relatives. Not only did family members support such behavior, but they promoted it within a plantation endogamy to increase further slave holdings – albeit enslaved kin. Such descriptions reveal a West Indian system perfectly at ease with interracial pairings, if not encouraging of them. This sexual tolerance dramatically grew the islands’ population of color…
…The culture of miscegenation that developed in the British West Indies came from demographic conditions, as well as customary promotions of common practice. Although white men grossly outnumbered white women in most Caribbean islands, white families still survived. Indeed, white islanders’ seemingly universal engagement with women of color belied actual gender imbalances within their populations. Cross-racial relations became a part of West Indian culture; married and single men alike had their mistresses of color. For imperial observers, this confirmed long-standing associations between the West Indies and anarchic morality. The mistress of color, so often portrayed in travel accounts and expositions, visibly embodied island vice. British commentary condemned her, her lover, and West Indian society as a whole. The men in these relationships were, after all, not simply colonial “others,” but friends and relatives of Britons back home.
“But I’m black and I’m proud of being black. And I was born black and I will die black. And I’m proud of it. And I’m not going to make any excuses; [be]cause they don’t understand.” —United States Senator Kamala D. Harris
Comments Off on “But I’m black and I’m proud of being black. And I was born black and I will die black. And I’m proud of it. And I’m not going to make any excuses; [be]cause they don’t understand.”
Her identity and motives are being unfairly challenged on all sides.
I would never have put Snoop and Tupac Shakur on the list of things that could potentially harm Senator Kamala Harris’s presidential bid. But this week, two of the greatest hip-hop artists of all time unwillingly played a part in the latest attack on Harris’s blackness, which came after the California Democrat’s appearance on the popular morning-radio show The Breakfast Club.
Harris engaged in a 40-minute-plus, wide-ranging conversation with the hosts Charlamagne Tha God, Angela Yee, and DJ Envy, detailing an agenda focused on issues disproportionately affecting African Americans: the staggering rate at which black women are dying in childbirth, mass incarceration, and poverty.
Unfortunately for Harris, her stances on these matters were drowned out by a dumb headline. Call it #AllEyezOnMeGate. Charlamagne asked Harris whether she’d ever smoked marijuana. She admitted that she’d smoked in college—and did indeed inhale. At some point, Envy asked Harris about her favorite music. But before she could respond, Charlamagne jokingly asked Harris about what she liked to listen to when she imbibed. Harris laughed off Charlamagne’s question and instead told Envy that some of her favorite artists were Snoop and ’Pac. She also mentioned her affinity for Cardi B.
(CNN)—Sen. Kamala Harris directly confronted critics Monday who have questioned her black heritage, her record incarcerating minorities as a prosecutor and her decision to marry a white man.
In an interview with The Breakfast Club hosts DJ Envy and Charlamagne Tha God that aired Monday, the show’s hosts asked the California Democrat to address a series of derogatory memes that have circulated on social media. One of the hosts cited a meme that said Harris is “not African-American” because her parents were immigrants born in India and Jamaica and she spent her high school years in Canada.
“So I was born in Oakland, and raised in the United States except for the years that I was in high school in Montreal, Canada,” Harris responded with a laugh. “And look, this is the same thing they did to Barack (Obama). This is not new to us and so I think that we know what they are trying to do.”
“They are trying to do what has been happening over the last two years, which is powerful voices trying to sow hate and division, and so we need to recognize when we’re being played,” Harris said.
One of the hosts followed up by asking Harris how she responds to people who question “the legitimacy of your blackness.”
“I think they don’t understand who black people are,” Harris replied. “I’m not going to spend my time trying to educate people about who black people are. Because right now, frankly, I’m focused on, for example, an initiative that I have that is called the ‘LIFT Act’ that is about lifting folks out of poverty,” she said, detailing her plan for a $6,000 tax credit for middle class Americans.
“I’m black, and I’m proud of being black,” she said at a later point in the interview. “I was born black. I will die black, and I’m not going to make excuses for anybody because they don’t understand.”…
