Mixed Race Studies

INTO THE NEXT STAGE: Hapa Documentaries — Twin Takes on Similar Subject

The Rafu Shimpo: Los Angeles Japanese Daily News
2017-03-16

George Toshio Johnston

As part of last month’s Hapa Japan Festival 2017 was a screening of a pair of documentaries I was very interested in viewing: “Fall Seven Times, Get Up Eight: The Japanese War Brides” and “Rising Sun, Rising Soul.”

Both screened Thursday, Feb. 23, in Little Tokyo at the Japanese American National Museum’s Tateuchi Democracy Forum, with filmmakers from each in attendance to speak about the respective documentaries afterwards and to take audience questions.

While different in emphasis, both “Fall Seven Times” and “Rising Sun” had at their respective cores a shared source, namely the so-called Japanese war bride phenomenon that occurred following Japan’s defeat after World War II.

It was during that post-war occupation period when thousands upon thousands of U.S. military personnel from all branches of the Armed Forces, as well as civil service employees, went to Japan and Okinawa, the latter of which was a quasi-U.S. military colony that didn’t regain Japanese prefectural status until 1972…

…In today’s environment, when no one in California, the West Coast or big cities pauses when seeing a mixed-race couple in which one of the two is an Asian, these two documentaries do underscore what a big deal the Japanese war bride phenomenon really was…

Read the entire article here.

A Picture of Her ‘Kentucky’ Home

The Rafu Shimpo: Los Angeles Japanese Daily News
2016-11-27

Mikey Hirano Culross

Leah Nanako Winkler was born in Japan, raised in Lexington, Kentucky, and now lives in New York City.

Leah Nanako Winkler arrived more than flustered, bounding into a dressing room at East West Players after having endured what should have been a 20-minute trek from Universal City to Little Tokyo.

Ms. Winkler, meet the 101.

The evening’s performance of her new play, “Kentucky,” was barely 90 minutes from curtain, and Winkler had plenty of tasks beforehand, including a quick chat with The Rafu.

Now a hard-studying MFA student in Brooklyn, Winkler has composed an honest look at family, with all its glory as well as warts, drawing on her experiences growing up in Lexington, Kentucky.

Her play follows Hiro, a woman on the verge of big-city career success whose homecoming is driven by the desire to dissuade her born-again sister from entering into a marriage that Hiro finds unsavory. Dealing with her family’s southern leanings, her own misgivings and a talking cat, Hiro’s mission is derailed into a completely unplanned direction.

“For me it was important to see a mixed-race family on stage and not seen through rose-colored glasses, that they have their faults, that they’re not perfect,” Winkler explained…

Read the entire article here.

FILM: Mixed-Race People Tell Their Stories in ‘Hafu’

The Rafu Shimpo: Los Angeles Japanese Daily News
2013-05-03

J.K. Yamamoto, Rafu Staff Writer

“Hafu,” a new documentary about mixed-race people in Japan, will be screened Wednesday, May 8, at 7:30 p.m. at the Japanese American National Museum, First and Central in Little Tokyo, as part of the 29th L.A. Asian Pacific Film Fest.

Directed by Lara Perez Takagi and Megumi Nishikura, the film had its Los Angeles premiere on April 5 at JANM during the Hapa Japan Conference. The Bay Area premiere was on April 7 at UC Berkeley.

The title, the Japanese pronunciation of “half,” is the most common term in Japan for people who are half Japanese. It is similar to the Hawaiian word “hapa,” which originally meant someone half Native Hawaiian and half Caucasian.

The film focuses on five stories that reflect the diversity of the Hafu experience:…

…At the L.A. premiere, Koji Sakai of JANM noted the connections between “Hafu” and the museum’s ongoing exhibition “Visible & Invisible: A Hapa Japanese American History”: “In a lot of ways the community, or people in general, think of Hapa as a new phenomenon, but in reality Hapas have been there from the very beginning in our community, and it’s time we acknowledge and support that.”

Duncan Ryuken Williams, co-director of the USC Center for Japanese Religions and Cultures, convener of Hapa Japan 2013, and co-curator of “Visible & Invisible,” had high praise for “Hafu”: “It’s a really thoughtful and inspirational film … The film directors did a great job of picking these five individuals. I think you’ll agree they represent the spectrum, the range of possible people in this Hafu experience … I’ve followed the making of this film and I know it’s a major labor of love for the two film directors. They put a lot into making this happen with the help of dozens of people who volunteered their time, most of whom were Hafu individuals.”…

Read the entire article here.

The New Normal

The Rafu Shimpo: Los Angeles Japanese Daily News
2013-04-11

Mia Nakaji Monnier, Rafu Staff Writer

Hapa Japan Festival and JANM exhibit celebrate mixed Japanese and Japanese Americans

Outside the newest exhibit at the Japanese American National Museum hangs a banner. Up close, visitors can make out individual pictures—each about the size of a postage stamp. These are family photos: grinning kids in kimono, extended families three rows deep posing in the yard, teenagers gathered around Grandpa and his birthday cake. But take a few steps back, and the photos disappear like the strokes of an impressionist painting. Together, they add up, to make enka star Jero.

Why Jero?

Duncan Williams, one of the curators of the exhibit, “Visible & Invisible: A Hapa Japanese American History,” says Jero represents the future: not just the of Japanese America, but of America in general. Born Jerome White in Pittsburgh, Pa., Jero is mixed— three quarters African American, one quarter Japanese. Yet he’s become famous in Japan for singing traditional enka songs, which he grew up hearing from his Japanese grandmother.

Jero, to Williams, represents the complex identity of a growing group of Americans, whose looks and cultural identifications don’t fit into neat or expected categories. Up close, in those stamp-sized family photos, the kids in kimono have light skin, dark hair; black, white, Latino features. They don’t fit the typical image of Japan, or Japanese America, and yet, statistically, they’re fast becoming the new norm.

“The Japanese American community is now on the cusp of becoming majority multiracial,” said Williams, while leading a tour of the exhibit. By the 2020 Census, the majority of Japanese Americans will be mixed, or Hapa, making “Visible & Invisible” relevant—and, to many Japanese Americans of mixed race or ethnicity, a moving affirmation of their place in the community…

Read the entire article here.

‘Visible & Invisible’ Exhibition to Explore History of Hapa JA Experience

The Rafu Shimpo: Los Angeles Japanese Daily News
2013-03-31

The Japanese American National Museum, in collaboration with the USC Hapa Japan Database Project, will present its next exhibition, “Visible & Invisible: A Hapa Japanese American History,” from Sunday, April 7, through Sunday, Aug. 25.

Through photos, historical artifacts, multimedia images, and interactive components, “Visible & Invisible” explores the diverse and complex history of the mixed-roots and mixed-race Japanese American experience.

At a free opening night party planned for Saturday, April 6, from 7:30 to 9:30 p.m., visitors can preview this unique perspective on mixed race within the Japanese American community.

“Visible & Invisible” is preceded by the five-day Hapa Japan Festival, a free event featuring Hapa musicians and artists, a comedy night, readings by award-winning authors, film screenings of leading documentaries, and a two-day academic conference at USC. The festival runs from April 2 to 6. For more information on the schedule and featured programs, visit http://www.hapajapan.com/…

Read the entire article here.

Mixed Race: Yesterday, Today, and Tomorrow

Rafu Shimpo: Los Angeles Japanese Daily News
2011-06-19

Velina Hasu Houston

Recently I was honored with a Loving Award from the Mixed Roots Film & Literary Festival (held June 11-12 at the Japanese American National Museum). The award and the meaning behind it has caused me to reflect on multiracial identity.

My parents married in 1954 after a nine-year courtship in Japan. When they left Japan, they arrived in the U.S., a country in which their marriage was illegal in 17 states and would remain so until 1967, two years before my father’s death.

In the landmark civil rights case Loving v. Virginia, the U.S. Supreme Court finally struck down laws against interracial marriage, honoring the marriage of Afro-Indian Mildred Loving and her white husband Richard (who also were second cousins).

I grew up in a community where being mixed race was a natural thing, at least for those of us who had foreign mothers and American fathers. We were multiracial, multiethnic, and multicultural — and often, like me, transnational. The idea of having a foot in at least two countries and being a blend of three or four ethnicities was par for the course…

Read the entire article here.

The Other Hafu of Japan

Rafu Shimpo: Los Angeles Japanses Daily News
2011-01-14

Brett Fujioka, Rafu Intern

A new documentary examines the lives of racially mixed individuals as they explore their own identities.

Is a ship the same if you take it apart piece by piece and replace its frame? No simple answer exists, as anyone who has tackled this philosophical Rubik’s cube knows.

The ethno-national equivalent to this riddle grows exceedingly more complicated with the swelling number of international unions each year. Statistics in 2004 chart that 1 in 15 marriages in Japan were international and that 1 in 30 children born there possesses a parent of non-Japanese descent. Japan’s ethnic constituency is rapidly changing and its people may need to rethink what it means to be Japanese in a country where blood and national identity are considered one and the same.

The same applies for the hafu (mixed Japanese) community. The lives for each individual half-Japanese vary from person to person and the filmmakers for the upcoming documentary, “Hafu,” and their subjects best represent this.

“Hafu” is the tentative title for an upcoming documentary in Japan following the lives of several half-Japanese individuals as they explore their identities.

Both Megumi Nishikura and Lara Perez Takagi spent most of their lives away from Japan. Takagi is half Spanish and stayed in Madrid, Sydney, Washington D.C., and Ottowa due to her diplomat father’s itinerant career. She eventually completed her higher education at the Francisco de Vitoria, Complutense and Waseda Universities before finally returning to Japan.

Nishikura, likewise, lived her childhood spread throughout the world. She stayed in Beijing, Manila, Honolulu, DC, Berlin, London, and Los Angeles and graduated from New York University.

“Lara and I have unusual stories and come from international backgrounds,” said Nishikura in an interview with the Rafu. “I don’t know if that’s representative of a lot of the mixed Japanese community.”

There’s a reason why they’re so hesitant to pinpoint a grand narrative for the hafu experience. There is no all-encompassing hafu story and the eclectic subjects of the documentary are indicative of this…

Read the entire article here.