Mixed Race Studies

LA poets document the city in ‘Coiled Serpent’ anthology

Los Angeles Daily News
2016-03-25

Richard Guzman, Arts and Entertainment Reporter
Long Beach Press Telegram

As students take part in a guitar workshop inside his Tia Chucha’s Centro Cultural & Bookstore in Sylmar, Los Angeles Poet Laureate Luis Rodriguez grabs a copy of the latest book published by his nonprofit organization.

He walks outside to a small table and sets down his blue Winnie the Pooh coffee cup, exposing a faded forearm tattoo of a long-haired indigenous woman as he flips through the pages of “Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles.”

“I love the beauty of it. The poems really stand out, and I think it’s really reflective of the city. The city is beautiful in so many weird ways,” says the poet and novelist, who is perhaps best known for his memoir “Always Running: La Vida Loca, Gang Days in L.A.”

Rodriguez, who was named poet laureate by Mayor Eric Garcetti in 2014, has long been an advocate for the city, its poetry and the power of words to change lives.

And the new book exemplifies those tenets with a collection of poems that capture the experiences, cultures and even the weirdness that intertwine — and at times collide — to create the fabric of the city.

The anthology includes the voices of more than 160 L.A. poets who are part of the sweeping 371-page tome…

Read the entire article here.

JANM Show Looks at Mixed Ancestry

Los Angeles Downtown News
2013-04-15

Richard Guzmán

DOWNTOWN LOS ANGELES – The very title of the new Japanese American National Museum exhibit indicates the complex factors at play in a single community.

The show, Visible & Invisible: A Hapa Japanese American History, examines the diverse history of the Japanese American community as well as the still evolving notion of family and race. It opened April 7 and continues through Aug. 25 at the Little Tokyo museum.

Through photos, videos, artifacts and paintings, the shows traces the history of mixed-race Japanese American families — hapa is a term for a person of mixed race who is part Asian or Pacific Islander — going back to the late 1800s. It also looks at the challenges these families faced due to segregation and laws that criminalized mixed race marriages.

It’s a history, said Duncan Williams, the exhibit co-curator, that is often plainly visible in the faces of biracial individuals. However, he said the topic is also invisible, since it is rarely discussed in open forums.

“One of the major points we’re trying to make is that increasingly the Japanese American community is changing,” said Williams, who is also director of the USC Center for Japanese Religion and Culture.

He said that by the next U.S. Census in 2020, it is expected that more than half of the members of the Japanese American community will identify themselves as multiracial…

Read the entire article here.

Artist Kip Fulbeck Is Back Exploring Identity, but This Time With Children

Los Angeles Downtown News
2010-03-26

Richard Guzmán

DOWNTOWN LOS ANGELES – Upon entering Mixed, the recently opened show at the Japanese American National Museum, one can’t help but smile.

The happy young faces depicted in the 70 photographs that make up the exhibit are filled with joyful innocence. One image shows two girls, one in a ballerina outfit, the other wearing rainbow stockings and a necklace and bracelet to match, engaged in a carefree dance; another portrays a little girl proudly holding up her two colorfully dressed rag dolls; a third depicts a close-up of a smiling boy, his long dreadlocks flowing down his face.

The show, with the full title Mixed: Portraits of Multiracial Kids by Kip Fulbeck, is intended to be playful, interactive and fun. But it also deals with a sensitive subject: identify, and in particular, the identity of people who come from mixed backgrounds. Each of the children in the exhibit is the product of parents of different races or ethnicities…

Read the entire article here.

Mixing It Up: Multiracial Subjects

University of Texas Press
2004
6 x 9 in.
225 pages
ISBN: 978-0-292-74345-8
Print-on-demand title

Edited by:

SanSan Kwan, Associate Professor of Dance, Performance Studies
University of California, Berkeley

and

Kenneth Speirs (1964-2013), Professor of English
University of California, Berkeley

Foreword by

Naomi Zack, Professor of Philosophy
University of Oregon

The United States Census 2000 presents a twenty-first century America in which mixed-race marriages, cross-race adoption, and multiracial families in general are challenging the ethnic definitions by which the nation has historically categorized its population. Addressing a wide spectrum of questions raised by this rich new cultural landscape, Mixing It Up brings together the observations of ten noted voices who have experienced multiracialism first-hand.

From Naomi Zack’s “American Mixed Race: The United States 2000 Census and Related Issues” to Cathy Irwin and Sean Metzger’s “Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance,” this diverse collection spans the realities of multiculturalism in compelling new analysis. Arguing that society’s discomfort with multiracialism has been institutionalized throughout history, whether through the “one drop” rule or media depictions, SanSan Kwan and Kenneth Speirs reflect on the means by which the monoracial lens is slowly being replaced.

Itself a hybrid of memoir, history, and sociological theory, Mixing It Up makes it clear why the identity politics of previous decades have little relevance to the fluid new face of contemporary humanity.

Table of Contents

• Preface (Naomi Zack)
• Acknowledgments
• Introduction (SanSan Kwan and Kenneth Speirs)
• I. Issues and Trends
  • 1. American Mixed Race: The United States 2000 Census and Related Issues (Naomi Zack)
  • 2. Misceg-narrations (Raquel Scherr Salgado)
• II. Multiracial Subjects
  • 3. A Passionate Occupant of the Transnational Transit Lounge (Adrian Carton)
  • 4. Miscegenation and Me (Richard Guzman)
  • 5. “What Is She Anyway?”: Rearranging Bodily Mythologies (Orathai Northern)
  • 6. Resemblance (Alice White)
  • 7. “Brown Like Me”: Explorations of a Shifting Self (Stefanie Dunning)
  • 8. Toward a Multiethnic Cartography: Multiethnic Identity, Monoracial Cultural Logic, and Popular Culture (Evelyn Alsultany)
  • 9. Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance (Cathy Irwin and Sean Metzger)
  • 10. Against Erasure: The Multiracial Voice in Cherríe Moraga’s Loving in the War Years (Carole DeSouza)
• About the Contributors