Mixed Race Studies

Toxi

DEFA Film Library
University of Massachusetts, Amherst
1952
85 minutes, b/w (English subtitles)
West Germany

Robert A. Stemmle, Director

A five-year-old girl suddenly appears on the doorstep of a well-to-do Hamburg family. The members of the multi-generational, white household react differently to the arrival of Toxi, who is black, the daughter of an African-American G.I. and a white German woman who has died. Eventually Toxi works her way into the hearts of this German family, but then her father returns, hoping to take Toxi back to America with him.

In West Germany at the time of the film’s release, there were nearly 100,000 children of Allied paternity born since WWII; of these, fewer than 5,000 were of colored paternity. Toxi was the first feature-length film to explore the subject of “black occupation children” in postwar Germany. It premiered in 1952 as part of a plan to raise public awareness, as these children began entering German schools. Known for his unique blend of social realism and melodrama, Robert A. Stemmle—one of in West Germany’s most popular directors—brought together an exceptionally renowned group of classic German actors with very diverse experiences of the Nazi era, including Paul Bildt, Johanna Hofer and Elisabeth Flickenschildt.

Special Features

• Biographies & Filmographies
• Audio commentary, by film scholars Angelika Fenner & Tobias Nagel
• “Toxi and the Story of Race after Nazism,” by historian Heide Fehrenbach
• Trailer: Brown Babies: The Mischlingskinder Story (2011, Dir. Regina Griffin)
• Original film flyer, with English translation
• Books on the movie

Race under Reconstruction in German Cinema: Robert Stemmle’s Toxi

University of Toronto Press
June 2011
288 pages
Cloth ISBN: 9781442640085

Angelica Fenner, Associate Professor of German and Cinema Studies
University of Toronto

Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle’s Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers. The didactic plot traces the ideological conflicts that arise among members of a patrician family when they encounter an Afro-German child seeking adoption, herein broaching issues of integration at a time when the American civil rights movement was gaining momentum and encountering violent resistance.

Perceptions of ‘Blackness’ in Toxi demonstrate continuities with those prevailing in Wilhelmine Germany, but also signal the influence of American social science discourse and tropes originating in icons of American popular culture, such as Uncle Tom’s Cabin, Birth of a Nation, and several Shirley Temple films. By applying a Cultural Studies approach to individual film sequences, publicity photos, and press reviews, Angelica Fenner relates West German discourses around race and integration to emerging economic and political anxieties, class antagonism, and the reinstatement of conventional gender roles.