Mixed Race Studies

Representations of colonial intimacy in Anglo-Indian narratives

Syracuse University, Syracuse, New York
2009
272 pages

Nandini Sengupta

This dissertation examines nineteenth-century manifestations of colonial intimacy in a range of texts produced by Anglo-Indians, capturing their colonial experience from the 1830s to the 1880s. Through these texts, I examine the ideological implications of interracial intimacy in a range of relationships that were established between the Indians and British in the ‘contact zone.’ The first two chapters examine the letters of Emily Eden and Fanny Parks to probe British women’s experience of India. I argue that the women forge an alternative space of intimacy that defies the notion that Anglo-Indian women remained on the periphery of Indian space as female ethnographers using their pen and pencil to engage in the act of colonial appropriation. Instead, such intimacies and attachments produce an alternative knowledge about India that expand our understanding of colonial interactions. In the third chapter, I read Philip Taylor’s novel Seeta (1872), which recuperates the events of the Sepoy Uprising of 1857. Taylor composes a story of interracial love and marriage between an English administrator and a Hindu widow. Probing the manifestations and ideological import of the sexual and emotional affinities for colonial relations in the moment of the Uprising, I argue that the interracial intimacy in the novel ultimately translates itself into an exercise of punishing the recalcitrant Indian man by embracing the compliant, loyal Indian woman. The final chapter continues the examination of interracial heterosexual intimacy through a reading of Rudyard Kipling’s short stories contained in the volume Plain Tales from the Hills. In particular, I probe his delineations of interracial heterosexual intimacy between various officers of empire and socially marginalized Indian women belonging to different ethnic communities of India to construct an argument about the operations of class in colonial India.

TABLE OF CONTENTS

• List of Illustrative Material
• Acknowledgments
• Introduction
• Chapter One: The British Woman Traveler in India: Diplomatic Intimacy and Hetero-Social Bonding in Emily Eden’s Up the Country
• Chapter Two: The British Woman Traveler in India: Cultural Intimacy and Interracial Kinship in Fanny Parks’s Wanderings of a Pilgrim In Search of the Picturesque
• Chapter Three: Interracial Love, Marriage and Female Friendship in Philip Meadows Taylor’s Seeta
• Chapter Four: “Behind the Wooden Gate”: Rudyard’s Kipling’s Stories of Love and Betrayal
• Conclusion
• Works Cited
• Curriculum Vita
• List of Illustrative Material
  • Page 50: Map of India in 1836
  • Page 89: Frontispiece from Fanny Parks’s Wanderings of a Pilgrim in Search of the Picturesque
• Acknowledgements

Midnight’s Orphans: Anglo-Indians in Post/Colonial Literature

Peter Lang
2006
265 pages
Weight: 0.370 kg, 0.816 lbs
Paperback ISBN: 978-3-03910-848-0
Series: Studies in Asia-Pacific “Mixed Race”

Glenn D’Cruz, Senior Lecturer
School of Communication and Creative Arts
Deakin University, Australia

Anglo-Indians are the human legacy of European colonialism. These descendants of European men and Indian women regularly appear as disconsolate and degenerate figures in colonial and postcolonial literature, much to the chagrin of contemporary Anglo-Indians. Many significant writers, such as Rudyard Kipling, Maud Diver, John Masters, Salman Rushdie and Hari Kunzru, have created Anglo-Indian characters to represent the complex racial, social and political currents of India’s colonial past and postcolonial present.

This book is the first detailed study of Anglo-Indians in literature. Rather than simply dismissing the representation of Anglo-Indians in literary texts as offensive stereotypes, the book identifies the conditions for the emergence of these stereotypes through close readings of key novels, such as Bhowani Junction, Midnight’s Children and The Impressionist. It also examines the work of contemporary Anglo-Indian writers such as Allan Sealy and Christopher Cyrill.

Presenting a persuasive argument against ‘image criticism’, the book underscores the importance of contextualizing literary texts, and makes a timely contribution to debates about ‘mixed race’ identities, minoritarian literature and interculturalism.

Table of Contents

• Acknowledgements
• Introduction
• Chapter One: Seven Deadly Stereotypes
• Chapter Two: Regulating Bodies: Dangerous ‘Others’ and Colonial Governmentality
• Chapter Three: Beyond the Pale: Imperial Power and Scientific Regimes of Truth
• Chapter Four: The Poor Relation: Social Science and the Production of Anglo-Indian Identity
• Chapter Five: Midnight’s Orphans: Stereotypes in Postcolonial Literature
• Chapter Six: ‘The Good Australians’: Australian Multiculturalism and Anglo-Indian Literature
• Chapter Seven: Conclusion: Bringing it all Back Home
• Bibliography
• Index