Mixed Race Studies

Borderlands/La Frontera: The New Mestiza (Third Edition)

Aunt Lute Books
1987
ISBN 1879960125

Gloria Anzaldúa

• Chosen one of the “Best Books of 1987” by Library Journal.
• Selected by Utne Reader as part of its “Alternative Canon” in 1998.
• One of Hungry Mind Review’s “Best 100 Books of the 20th Century”

Rooted in Gloria Anzaldúa’s experience as a Chicana, a lesbian, an activist, and a writer, the groundbreaking essays and poems in this volume profoundly challenge how we think about identity. Borderlands/La Frontera remaps understandings of what a “border” is, seeing it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us.

New to this edition:

Includes an Introduction by Sonia Saldívar-Hull; an interview with Gloria Anzaldúa; and contributions by Norma Alarcón, Julia Alvarez, Paola Bacchetta, Rusty Barcelo, Norma Elia Cantú, Sandra Cisneros, T. Jackie Cuevas, Claire Joysmith, and AnaLouise Keating.

Mestizaje: Critical Uses of Race in Chicano Culture

University of Minnesota Press
2006
272 pages
15 halftones; 5 7⁄8 x 9
Paper ISBN: 0-8166-4595-7
Paper ISBN-13: 978-0-8166-4595-4
Cloth ISBN: 0-8166-4594-9
Cloth ISBN-13: 978-0-8166-4594-7

Rafael Pérez-Torres, Professor and Chair of English
University of California, Los Angeles

A major reassessment of how mixed-race identity affects Chicano culture and politics.

Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities.

Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how the concept of mixed race has been used to engage issues of hybridity and voice and examines the dynamics that make mestizo and mestiza identities resistant to, as well as affirmative of, dominant forms of power. He also addresses the role that mestizaje has played in expressive culture, including the hip-hop music of Cypress Hill and the vibrancy of Chicano poster art. Turning to issues of mestizaje in literary creation, Pérez-Torres offers critical readings of the works of Emma Pérez, Gil Cuadros [1962-1996], and Sandra Cisneros, among others. This book concludes with a consideration of the role that the mestizo body plays as a site of elusive or displaced knowledge.

Moving beyond the oppositions—nationalism versus assimilation, men versus women, Texans versus Californians—that have characterized much of Chicano studies, Mestizaje synthesizes and assesses twenty-five years of pathbreaking thinking to make a case for the core components, sensibilities, and concerns of the discipline.

Table of Contents

Acknowledgments
Introduction

PART I. Creating Mestizaje
1. The Critical Mixture of Race
2. The Mestizo Voice

PART II. Fashioning Mestizaje
3. Popular Music and Postmodern Mestizaje
4. Land and Race in Chicano Public Art

PART III. Challenging Mestizaje
5. The Transgressive Body and Sexual Mestizaje
6. Narrative and Loss

Notes
Works Cited
Index