Pictures and Progress: Early Photography and the Making of African American IdentityPosted in Anthologies, Arts, Books, Literary/Artistic Criticism, Media Archive, United States on 2012-07-19 00:55Z by Steven |
Pictures and Progress: Early Photography and the Making of African American Identity
Duke University Press
2012
400 pages
71 photographs
Paperback ISBN: 978-0-8223-5085-9
Cloth ISBN: 978-0-8223-5067-5
Edited by:
Maurice O. Wallace, Associate Professor of English and African & African American Studies
Duke University
Shawn Michelle Smith, Associate Professor of Visual and Critical Studies
School of the Art Institute of Chicago
Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography’s power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or “snapshots,” highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.
Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace
Table of Contents
- Acknowledgments
- Introduction: Pictures and Progress / Maurice O. Wallace and Shawn Michelle Smith
- 1. “A More Perfect Likeness”: Frederick Douglass and the Image of the Nation / Laura Wexler
- 2. “Rightly Viewed”: Theorizations of the Self in Frederick Douglass’s Lecture on Pictures / Ginger Hill
- 3. Shadow and Substance: Sojourner Truth in Black and White / Augusta Rohrbach
- Snapshot 1. Unredeemed Realities: Augustus Washington / Shawn Michelle Smith
- 4. Mulatta Obscura: Camera Tactics and Linda Brent / Michael Chaney
- 5. Who’s Your Mama?: “White” Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom / P. Gabrielle Foreman
- 6. Out from Behind the Mask: Paul Laurence Dunbar, the Hampton Institute Camera Club, and Photographic Performance of Identity / Ray Sapirstein
- Snapshot 2. Reproducing Black Masculinity: Thomas Askew / Shawn Michelle Smith
- 7. Louis Agassiz and the American School of Ethnoeroticism: Polygenesis, Pornography, and Other “Perfidious Influences” / Suzanne Schneider
- 8. Framing the Black Soldier: Image, Uplift, and the Duplicity of Pictures / Maurice O. Wallace
- Snapshot 3. Unfixing the Frame(-up): A. P. Bedou / Shawn Michelle Smith
- 9. “Looking at One’s Self through the Eyes of Others”: W. E. B. Du Bois’s Photographs for the Paris Exposition of 1900 / Shawn Michelle Smith
- 10. Ida B. Wells and the Shadow Archive / Leigh Raiford
- Snapshot 4. The Photographer’s Touch: J. P. Ball / Shawn Michelle Smith
- 11. No More Auction Block for Me! / Cheryl Finley
- Bibliography
- Contributors
- Index
