Mixed Race Studies

Scholarly perspectives on the mixed race experience.

Obama’s mixed ancestry generates some of the new uncertainty about blackness. The white part of his genetic inheritance is not socially hidden, as it often is for “light-skinned blacks” who descend from black women sexually exploited by white slaveholders and other white males. Rather, Obama’s white ancestry is right there in the open, visible in the form of the white woman who, as a single mother, raised Obama after his black father left the family to return to his native Kenya. Press accounts of Obama’s life, as well as Obama’s own autobiographical writings, render Obama’s whiteness hard to miss. No public figure, not even Tiger Woods, has done as much as Obama to make Americans of every education level and social surrounding aware of color-mixing in general and that most of the “black” population of the United States, in particular, are partially white. The “one-drop rule” which denies that color is a two-way street is far from dead, but not since the era of its legal and social consolidation in the early 1920s has the ordinance of this rule been so subject to challenge.

David A. Hollinger, “Obama, The Instability of Color Lines, and the Promise of a Postethnic Future,” Callaloo: A Journal of African Diaspora Arts and Letters, Volume 31, Number 4 (2008): 1033-1037. http://dx.doi.org/10.1353/cal.0.0282.

the road weeps, the well runs dry

Posted in Arts, History, Live Events, Native Americans/First Nation, New Media, Religion, Slavery, United States on 2013-10-26 02:19Z by Steven

the road weeps, the well runs dry

Los Angeles Theater Center
514 South Spring Street
Los Angeles, California 90013
Telephone: 213.489.0994

2013-10-24 through 2013-11-17
Thursday-Saturday: 20:00 PT (Local Time)
Sunday: 15:00 PT (Local Time)

Written by Marcus Gardley
Directed by Shirley Jo Finney

Rolling World Premiere

Surviving centuries of slavery, revolts, and The Trail of Tears, a community of self-proclaimed Freedmen creates the first all-black U.S. town in Wewoka, Oklahoma. The Freedmen (Black Seminoles and people of mixed origins) are rocked when the new religion and the old way come head to head and their former enslavers arrive to return them to the chains of bondage. Written in gorgeously cadenced language, utilizing elements of African American folklore and daring humor, the road weeps, the well runs dry merges the myth, legends and history of the Seminole people.

Previews: October 24 & 25

For more information, click here.

Tags: Los Angeles Theater Center, Marcus Gardley, Oklahoma, Shirley Jo Finney, Wewoka

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Mixed Race Studies

the road weeps, the well runs dry

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