Mixed Race Studies

Race In R.I.: The Invisible Natives

The Providence Journal
Providence, Rhode Island
2015-10-24

G. Wayne Miller, Journal Staff Writer

Their ancestors were the state’s original settlers, but today’s Indians say whites ‘don’t even see us’

First of two parts

EXETER – On this fine autumn morning, Paulla Dove Jennings welcomes a visitor into her home at the edge of woods with a handshake and a smile. She pours tea, sits at her kitchen table, and begins relating some of her life’s story, which in its essential elements mirrors that of her relatives and ancestors, Rhode Island’s Narragansett and Niantic peoples.

A tribal elder now at 75, Jennings has been a waitress, chef, clerk, author, historian, educator, museum curator, state Indian Affairs Commissioner, Narragansett leader and more. Gifted with words and possessing a keen memory, she is a celebrated storyteller — a woman who laughs easily, and who also feels anger and pain at how some whites have treated her people since the Great Swamp Massacre of 1675 nearly obliterated them. The Narragansett and Niantic are among the state’s original inhabitants, here for 30,000 or more years.

“Oppression” is one word Jennings sometimes uses to describe that centuries-long treatment.

“Racism” is another.

“Rhode Island has close to the same racism as in Mississippi, and I’ve lived in both places,” says Jennings, a direct descendant of the great 17th-century Niantic sachem Ninigret…

Read the entire article here.

Race in Rhode Island: Is race just an invention?

The Providence Journal
Providence, Rhode Island
2015-06-27

Paul Edward Parker

Classifications were created to divide people, say educator, historian.

When you ask “What is race?” don’t expect a simple answer.

And, when you consider Latinos — Are they a race or an ethnicity? — plus America’s ever growing multiracial identity, that complicated answer grows even more complex.

The apparently simple concept of race eludes easy definition, even though we have been counting people by race in Rhode Island as far back as 1774.

The federal government took up the practice in 1790, the year that Rhode Island became the 13th and final original state to ratify the Constitution.

Despite that long history of sorting people into racial categories, experts say it has little basis in science. It’s more about sociology and politics.

“Race is not a biological construct. It’s a social construct,” said Carolyn Fluehr-Lobban, a retired Rhode Island College professor who, for nearly 40 years, taught classes on the anthropology of racism. “There’s a belief that it’s scientific,” she added. “It’s impossible to classify humans scientifically into race.”…

…What about Latino?

Along with “What is race?” those who count Americans by categories have to ask: “Is Hispanic or Latino a race?”

The Census Bureau has said no, Hispanic origin is in addition to race. Someone who identifies as Hispanic or Latino also will belong to one or more of the five racial groups.

But two-thirds of American Latinos disagree, Lopez said. They have told Pew that Latino is part of their racial identity.

“I’m not white, and I’m not black,” said Anna Cano Morales, director of the Latino Policy Institute at Roger Williams University in Providence. “I choose to be Latina.”

But Morales concedes racial and ethnic identity is not simple. “This is an incredibly complex set of questions,” she said…

Read the entire article here.

For some, question of race a struggle

The Providence Journal
Providence, Rhode Island
2011-04-05

Karen Lee Ziner, Journal Staff Writer

Face to face with the question of racial identity, Providence lawyer Kas R. DeCarvalho chose a write-in option under “Other” in the 2010 census form.

“I put in mixed and called it a day,” said DeCarvalho, whose father is from Angola in southwest Africa, and whose mother is an American of Scottish-Irish descent.

“It has been my entire life, something of a struggle to figure out exactly what to do,” DeCarvalho said. “Only in recent years have any sorts of government forms offered an option, mixed race. Until then, you had to pick one or the other, or neither.”

He added, “I could have put white, and I suppose I could have [also] filled in black. I identify as a black American. That’s how I’m perceived but, culturally, I’m much more complicated than that. I don’t think there’s really a way to encapsulate that in some sort of census document.”

DeCarvalho is one of 9 million people, or 2.9 percent of the population, who selected or indicated more than one race on their 2010 Census forms, a roughly 32-percent increase since 2000. Some 3.3 percent of Rhode Islanders did so, slightly above the national average. He said, “I wish we lived in a world where we didn’t have to fill in anything.”

DeCarvalho isn’t alone…

Read the entire article here.

Julianne Jennings: The mixed blood of Indians explained

The Providence Journal
Providence, Rhode Island
2009-01-30

Julianne Jennings
Willmantic, Connecticut

EUROPEAN EXPLORERS discovered a land inhabited by an agricultural people who grew corn, beans and squash and who had a sophisticated system of government that, some would argue, would later be adopted by the United States. The settling of a hostile “wilderness” and the near-extinction of Native Americans is now an annual American celebration called Thanksgiving. Every year, school-age children are taught the legend of the first encounter between Indians and the Pilgrims.

Included in the mythical story is a description of what an “authentic” Indian looked like and how he or she behaved. These false images are promulgated in children’s literature and in film and have become the death of many Native Americans who do not fit the popular stereotype, especially Indians who live along the Eastern Seaboard and whose physical features reflect blood mixing.

In New England, after the Pequot War (1636-1637) and the King Philip’s War (1675-1676), the Pequots were either executed, forced into indentured servitude in colonial households, divided among other Eastern tribes, or shipped to Bermuda and the Caribbean as slaves. Today, eight out of ten Native Americans are of mixed blood as a result of slavery and post-slavery intermarriage, particularly in New England. Further, the infamous “one-drop rule,” which is also tied to the colonial slave system, decreed that a single drop of black blood, or a single ancestor who was African, in an individual of mixed race defined that person as black.

After the Pequot War and the King Philip’s War, slavery was a booming business in Bermuda in the late 1600s. The English conducted a census of the population living on the island. There were five categories of race: white, negro, Indian, mulatto and mustees. Mustees were people who were of mixed race but passed for white. During the late 1700s another census was conducted. There were still five categories; however, Indians were now classified as “colored.” After emancipation in 1834, the classification of mustees were dropped, people of color were either negro, colored or mulatto, depending on their features, skin color and hair texture…

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Artist Ellen Gallagher humbled by new honor

The Providence Journal
2010-02-21

Bill Van Siclen, Journal Arts Writer

The first time her work appeared in a Whitney Biennial, the every-other-year exhibit that aims to take the pulse of contemporary art, Ellen Gallagher was just one of many up-and-coming artists vying for attention.

That was back in 1995, when Gallagher, a Providence-born painter and printmaker whose interests range from carpentry and scrimshaw to African-American history and culture, was barely out of art school.

Fifteen years later, Gallagher is Biennial-bound once again.

This time, however, she’s returning as a certified art star — someone whose work is avidly collected by major museums, including New York’s Museum of Modern Art and London’s Tate Museum, and whose name is regularly mentioned alongside the likes of Kara Walker, Cindy Sherman and Matthew Barney. Even the Whitney Museum, which organizes the Whitney Biennial (and where the show’s 2010 edition opens Thursday), has several of her works in its permanent collection…

…WHILE MANY ARTISTS draw inspiration from a variety of sources, Gallagher’s reference points — everything from slavery to sea creatures to Sun Ra — seem particularly wide ranging. Then again, so is her background.

Born in 1965, Gallagher grew up in a biracial household headed by her father, an American-born Cape Verdean who traced his roots back to 19th-century whalers and who did odd jobs to support the family, including occasional stints as a professional boxer.

When he left suddenly, the burden of raising Gallagher fell on her mother, a white Irish Catholic who eventually saved enough money to buy a house in Providence’s Washington Park neighborhood…

Read the entire article here.