Mixed Race Studies

INTO THE NEXT STAGE: Hapa Documentaries — Twin Takes on Similar Subject

The Rafu Shimpo: Los Angeles Japanese Daily News
2017-03-16

George Toshio Johnston

As part of last month’s Hapa Japan Festival 2017 was a screening of a pair of documentaries I was very interested in viewing: “Fall Seven Times, Get Up Eight: The Japanese War Brides” and “Rising Sun, Rising Soul.”

Both screened Thursday, Feb. 23, in Little Tokyo at the Japanese American National Museum’s Tateuchi Democracy Forum, with filmmakers from each in attendance to speak about the respective documentaries afterwards and to take audience questions.

While different in emphasis, both “Fall Seven Times” and “Rising Sun” had at their respective cores a shared source, namely the so-called Japanese war bride phenomenon that occurred following Japan’s defeat after World War II.

It was during that post-war occupation period when thousands upon thousands of U.S. military personnel from all branches of the Armed Forces, as well as civil service employees, went to Japan and Okinawa, the latter of which was a quasi-U.S. military colony that didn’t regain Japanese prefectural status until 1972…

…In today’s environment, when no one in California, the West Coast or big cities pauses when seeing a mixed-race couple in which one of the two is an Asian, these two documentaries do underscore what a big deal the Japanese war bride phenomenon really was…

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A Picture of Her ‘Kentucky’ Home

The Rafu Shimpo: Los Angeles Japanese Daily News
2016-11-27

Mikey Hirano Culross

Leah Nanako Winkler was born in Japan, raised in Lexington, Kentucky, and now lives in New York City.

Leah Nanako Winkler arrived more than flustered, bounding into a dressing room at East West Players after having endured what should have been a 20-minute trek from Universal City to Little Tokyo.

Ms. Winkler, meet the 101.

The evening’s performance of her new play, “Kentucky,” was barely 90 minutes from curtain, and Winkler had plenty of tasks beforehand, including a quick chat with The Rafu.

Now a hard-studying MFA student in Brooklyn, Winkler has composed an honest look at family, with all its glory as well as warts, drawing on her experiences growing up in Lexington, Kentucky.

Her play follows Hiro, a woman on the verge of big-city career success whose homecoming is driven by the desire to dissuade her born-again sister from entering into a marriage that Hiro finds unsavory. Dealing with her family’s southern leanings, her own misgivings and a talking cat, Hiro’s mission is derailed into a completely unplanned direction.

“For me it was important to see a mixed-race family on stage and not seen through rose-colored glasses, that they have their faults, that they’re not perfect,” Winkler explained…

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The New Normal

The Rafu Shimpo: Los Angeles Japanese Daily News
2013-04-11

Mia Nakaji Monnier, Rafu Staff Writer

Hapa Japan Festival and JANM exhibit celebrate mixed Japanese and Japanese Americans

Outside the newest exhibit at the Japanese American National Museum hangs a banner. Up close, visitors can make out individual pictures—each about the size of a postage stamp. These are family photos: grinning kids in kimono, extended families three rows deep posing in the yard, teenagers gathered around Grandpa and his birthday cake. But take a few steps back, and the photos disappear like the strokes of an impressionist painting. Together, they add up, to make enka star Jero.

Why Jero?

Duncan Williams, one of the curators of the exhibit, “Visible & Invisible: A Hapa Japanese American History,” says Jero represents the future: not just the of Japanese America, but of America in general. Born Jerome White in Pittsburgh, Pa., Jero is mixed— three quarters African American, one quarter Japanese. Yet he’s become famous in Japan for singing traditional enka songs, which he grew up hearing from his Japanese grandmother.

Jero, to Williams, represents the complex identity of a growing group of Americans, whose looks and cultural identifications don’t fit into neat or expected categories. Up close, in those stamp-sized family photos, the kids in kimono have light skin, dark hair; black, white, Latino features. They don’t fit the typical image of Japan, or Japanese America, and yet, statistically, they’re fast becoming the new norm.

“The Japanese American community is now on the cusp of becoming majority multiracial,” said Williams, while leading a tour of the exhibit. By the 2020 Census, the majority of Japanese Americans will be mixed, or Hapa, making “Visible & Invisible” relevant—and, to many Japanese Americans of mixed race or ethnicity, a moving affirmation of their place in the community…

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‘Visible & Invisible’ Exhibition to Explore History of Hapa JA Experience

The Rafu Shimpo: Los Angeles Japanese Daily News
2013-03-31

The Japanese American National Museum, in collaboration with the USC Hapa Japan Database Project, will present its next exhibition, “Visible & Invisible: A Hapa Japanese American History,” from Sunday, April 7, through Sunday, Aug. 25.

Through photos, historical artifacts, multimedia images, and interactive components, “Visible & Invisible” explores the diverse and complex history of the mixed-roots and mixed-race Japanese American experience.

At a free opening night party planned for Saturday, April 6, from 7:30 to 9:30 p.m., visitors can preview this unique perspective on mixed race within the Japanese American community.

“Visible & Invisible” is preceded by the five-day Hapa Japan Festival, a free event featuring Hapa musicians and artists, a comedy night, readings by award-winning authors, film screenings of leading documentaries, and a two-day academic conference at USC. The festival runs from April 2 to 6. For more information on the schedule and featured programs, visit http://www.hapajapan.com/…

Read the entire article here.