Mixed Race Studies

Performative Aspects of Brazilian Music as a Means of Creating Identity in Rio de Janeiro

Universität Wien
October 2008
215 pages

Adriana Ribeiro-Mayer

In Rio de Janeiro’s multi-ethnic society with its colonial and slave-based past creating a common identity is a major problem. Standard Portuguese, as opposed to spoken “Brazilian”, is remote to many Brazilians. Therefore, music and dance, the Carnival events and Baile Funk, substitute for language-based common performances. They have become extraordinarily big events based on a “sincretized” rhythm, on the body and mostly Afro-Brazilian body movements.

With the help of “participant observation” and “ero-epic conversation” I tried to participate as closely as possible in numerous events and describe them in performance protocols. These I analyzed according to the concepts of performance theory.

Richard Schechner’s emphasis on deep structures (such as the escola rehearsals) and rules; Victor Turners shift from play to ritual; Nicholas Cook’s “process-“ rather than “product-character” of performances and the musical work, e.g. a samba-enredo, as giving performers something to perform; Erika Fischer-Lichte’s emphasis on co-presence, interaction and feed-back as well as the body and its expressions; and finally Johan Huizinga’s prediction of a shift in social play, trough rules, competition and the audience to more seriousness. All these concepts of performance theory both proved useful tools, and at the same time were put to an interesting re-evaluation when applied to these mostly Afro-Brazilian events.

Rio’s Carnival’s counter-world has to fulfill so important and different needs in a divided society that it split to be able to present opportunities for spontaneous play of the individual, e.g. in the street blocos and the Intendente Magalhães parades, and to present a choreographed show of unity and common identity, in the main sambodrome parades. Baile Funk has so far catered for the first needs, i.e. entertainment and individual expression, as it has not involved all layers of carioca society through city-wide events.

Table of Contents

• 1. Introduction
• 2. Rio de Janeiro Society and the African Influence
  • 2.1 The African Population in Brazil
  • 2.2 The African Population in Rio de Janeiro
  • 2.3 Abolition of Slavery
  • 2.4 African Cultural Heritage
• 3. Identity in a mixed Society
  • 3.1 The Situation of Afro-Brazilians today
  • 3.2 Affirmative Action? Quotas for “Black” Students
• 4. Concepts of Performance
• 5. The Method of “Participant Observation” and “Ero-Epic Conversation”
  • 5.1 Questions of Presentation
  • 5.2 Research Trips
• 6. Hypothesis
• 7. Carnival and Samba in Rio
  • 7.1 Origins of Samba and Carnival in Rio
    • 7.1.1 Samba
    • 7.1.2 Carnival
  • 7.2 The Escolas de samba
    • 7.2.1 Origins and Evolution of the Escolas de Samba
    • 7.2.2 The Special Group Escolas de Samba
    • 7.2.3 Case study “Madureira”
    • 7.2.3.1 Escolas de Samba from Madureira
    • 7.2.4 Preparation of the Parades
    • 7.2.4.1 Cidade do Samba – Samba City
    • 7.2.5 The Sambodrome
    • 7.2.6 The Competition “The Best Escola de Samba of the Year”
  • 7.3 Performative Aspects of Samba and the Escolas’ Parades
    • 7.3.1 Dramaturgy of the Parades
    • 7.3.1.1 Example: Sequence of the 2008 Portela parade
    • 7.3.1.2 Performance Protocol of the Escolas’ parade
      • 7.3.1.2.1 Preparation Events
      • 7.3.1.2.2 Rehearsals in the Quadras
      • 7.3.1.2.3 Street Rehearsals
      • 7.3.1.2.4 Portela Rehearsal in the Sambodrome
      • 7.3.1.2.5 Group A parade – Formation and Dissolution
  • 7.4 Social and Economic Aspects of the Escolas de Samba for Rio
• 8. Funk Carioca
  • 8.1 Origins
  • 8.2 Funk Carioca music
    • 8.2.1 Charme
    • 8.2.2 Proibidão
    • 8.2.3 Erotic funk
  • 8.3 Performative Aspects of Baile Funk
    • 8.3.1 The Dramaturgy of Baile Funk
    • 8.3.2 Performance Protocol Baile Funk
      • 8.3.2.1 Baile Funk in a Suburb
      • 8.3.2.2 Baile Funk in Rio downtown
  • 8.4 The Rio Hip Hop Movement
  • 8.5 Baile Funk vs. Samba Parades and Rehearsals
  • 8.6 The Social and Economic Aspects of Baile Funk
• 9. Interpretation
  • 9.1 Performance Theory applied to Samba and Funk Performances
    • 9.1.1 The Parade of Império Serrano in the Sambodrome
    • 9.1.2 Rehearsals
    • 9.1.3 Traditional parades on Intendente Magalhaes Avenue
    • 9.1.4 Baile Funk
  • 9.2 Samba and Funk’s Contribution to Rio’s Cultural Identity
  • 9.3 Examples of Samba-Enredo and Funk Carioca Lyrics
    • 9.3.1 “Bum, Bum, Paticumbum” – Samba-enredo
    • 9.3.2 “Guerreiros da Paz” – Funk Carioca
• 10. Conclusions
• 11. Zusammenfassung
• 12. Resumo
• 13. Bibliography
• 14. Glossary
• 15. Abstract in English
• 16. Abstract auf Deutsch
• Appendix

Read the entire dissertation here.