Mixed Race Studies

Q&A with ‘Indian Blood’ author Andrew J. Jolivette

University of Washington Press Blog
2016-06-24

In his new book Indian Blood: HIV & Colonial Trauma in San Francisco’s Two-Spirit Community, Andrew J. Jolivette examines the correlation between mixed-race identity and HIV/AIDS among Native American gay men and transgendered people, and provides an analysis of the emerging and often contested LGBTQ “two-spirit” identification as it relates to public health and mixed-race identity.

Prior to contact with European settlers, most Native American tribes held their two-spirit members in high esteem, even considering them spiritually advanced. However, after contact—and religious conversion—attitudes changed and social and cultural support networks were ruptured. This discrimination led to a breakdown in traditional values, beliefs, and practices, which in turn pushed many two-spirit members to participate in high-risk behaviors. The result is a disproportionate number of two-spirit members who currently test positive for HIV.

Using surveys, focus groups, and community discussions to examine the experiences of HIV-positive members of San Francisco’s two-spirit community, Indian Blood provides an innovative approach to understanding how colonization continues to affect American Indian communities and opens a series of crucial dialogues in the fields of Native American studies, public health, queer studies, and critical mixed-race studies.

We spoke with Jolivette about his book, published this spring.

What inspired you to get into your field?

Andrew J. Jolivette: American Indian studies is in my blood. I felt I had a commitment and a responsibility to give back to my community and I also felt that it was important that more Native perspectives be centered and not just represented or driven by outsiders…

Read the entire interview here.

Talking about Critical Mixed Race Studies in the Wake of Ferguson

University of Washington Press Blog
2015-01-21

Laura Kina, Vincent de Paul Professor of Art, Media, & Design
DePaul University, Chicago, Illinois

In this guest post, Laura Kina, coeditor of War Baby / Love Child: Mixed Race Asian American Art, discusses the emerging discipline of mixed race studies and what it can contribute to ongoing dialogues surrounding race, police brutality, and social justice in the wake of Ferguson.

Since the deaths this past summer of two unarmed black men, Michael Brown Jr. in Ferguson, Missouri and Eric Garner in Staten Island, New York by white police officers, our nation has been embroiled in discussions of police brutality and racial profiling. The social unrest and racial tensions of our current moment are a stark contrast to the congratulatory “post-racial” moment in 2008 with the election of President Barack Obama–the first black “biracial” president. Recent racial tensions also present stark contrast to the celebration of the multiracial “melting pot” that America celebrated following the 2000 US Census, which allowed individuals to self-identify as more than one race for the first time.

Those earlier, problematic readings of race—as something to either get beyond or as something new and worthy of celebration—coupled with the dearth of history and representations of mixed race Asian American lives inspired my coauthor Wei Ming Dariotis and I to publish War Baby/Love Child: Mixed Race Asian American Art (University of Washington Press, 2013). Along with my DePaul colleague Camilla Fojas, we also set out to challenge these myths and establish a scholarly field of Critical Mixed Race Studies…

Read the entire article here.