AFR 108: What Passes for Freedom?: Mixed-Race Figures in U.S. CulturePosted in Course Offerings, Literary/Artistic Criticism, Media Archive, Passing, United States on 2012-11-24 03:36Z by Steven |
AFR 108: What Passes for Freedom?: Mixed-Race Figures in U.S. Culture
Williams College, Williamstown, Massachusetts
Spring 2013
Cross Listed as AMST107, ENGL108
Vincent J. Schleitwiler, Assistant Professor of English
The idea of a distinct category of individuals identified as “biracial,” “multiracial,” or “mixed-race” has become increasingly prominent over the past few decades, despite the inescapable fact that the existence of children of interracial couples is by no means new. Indeed, historically speaking, notions of “racial purity” are a relatively recent invention—what might now be called “race-mixing” is older than the concept of “race” itself. Why, then, has the figure of the mixed-race person been receiving so much attention? Why is this figure imagined as somehow novel or unprecedented? Is there something different about the contemporary social experience of children of interracial couples? Why do people who do not share this experience take so much interest in it? Our pursuit of these questions will take us back to earlier periods in U.S. history, and to different figures appearing at the borders of established racial categories, such as the “tragic mulatta” or the “passing” figure. Most of our readings will be drawn from African American literature and works by other writers of color, but you should also expect a substantial amount of scholarly writing on theories and histories of race. These readings will lead to some highly charged discussions—which will not always end comfortably, or with everyone in agreement. Because this course is writing-intensive, we’ll spend significant time developing writing skills, with an emphasis on collaborative learning.