Mixed Race Studies

Book reading with SHARON H. CHANG: Raising Mixed Race

Wing Luke Museum of the Asian Pacific American Experience
719 South King Street
Seattle, Washington 98104
Thursday, 2016-06-02, 18:00-20:00 PDT (Local Time)

Sharon H. Chang has worked with young children and families for over a decade. She is a scholar and activist who focuses on racism, social justice and the Asian American diaspora with a feminist lens.

She will read from her inaugural book, Raising Mixed Race: Multiracial Asian Children In a Post-Racial World.

Her writings have appeared in BuzzFeed, Hyphen Magazine, ParentMap Magazine, Seattle Globalist and more. She is also a consultant for Families of Color Seattle and is on the planning committee for the Critical Mixed Race Conference.

Sharon will be available after the book reading to sign copies of her book. Books will be available for sale in The Wing Marketplace.

This event is free and open to the public.

For more information, click here.

Art at Wing Luke Museum explores mixed-race heritage

The Seattle Times
2013-08-19

Robert Ayers, Special to The Seattle Times

The thought-provoking “War Baby/Love Child: Mixed Race Asian-American Art” exhibition is showing at the Wing Luke in Seattle through Jan. 19, 2014.

“War Baby/Love Child: Mixed Race Asian-American Art,” currently at the Wing Luke Museum of the Asian Pacific American Experience, is a jewel of an exhibition that has been organized and curated by Laura Kina and Wei Ming Dariotis.

As their provocative title suggests, the curators — both scholars in the field of mixed-race studies — see their role not only to present a group of stimulating high-quality works (which they have done anyway,) but also to encourage a new understanding of what “mixed race” means. The last thing they intend is a celebration of multiculturalism, and instead, they stress that there is nothing new or exceptional about mixed-race heritage. These are issues that are more than political for them, and for the artists they have included in the show, because they are part of the fabric of their own experience…

Read the entire article here.

War Baby / Love Child: Mixed Race Asian American Art

curated by:

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Wei Ming Dariotis, Associate Professor Asian American Studies
San Francisco State University

Wing Luke Museum of the Asian Pacific American Experience
2013-08-09 through 2014-01-19
719 S. King Street Seattle, WA 98104
206-623-5124

Opening Reception: Thursday, August 8, 2013 @ 6-8pm

Join us for the opening reception of War Baby/Love Child on Thursday, August 8. Curators Laura Kina and Wei Ming Dariotis will be in attendance, as will exhibiting artists Louie Gong, Richard Lou, Stuart Gaffney, Jenifer Wofford, and Lori Kay.

You are invited to the 6-7pm preview and reception program. Light refreshments will be served. Please send in an RSVP to Maria Martinez or call 206.623.5124, ext 107.

7-8pm Open to the public (no RSVP needed). Free admission.

This exhibition brings together works by 19 artists, highlighting different approaches to the identities and experiences of mixed Asian Americans, mixed Pacific Islander Americans and Asian transracial adoptees. While their biographies are varied and often diverge from the dominant stereotypes of mixed Asian identities, their lives are shaped by the specific histories of Asian Pacific-U.S. collisions: narratives of war, economic and political migration and colonization. As an ethnically ambiguous Asian American generation comes of age in a world fixated on post-racial politics and moving beyond issues of identity, War Baby/Love Child: Mixed Race Asian American Art examines how artists engage various facets of hybridity in their artwork.

Artists: Mequitta Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-lan, Richard Lou, Samia Mirza, Chris Naka, Laurel Nakadate, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Jenifer Wofford, Debra Yepa-Pappan.

Read more about the exhibition here.

War Baby/Love Child: Mixed Race Asian American Art Opening Reception

Wing Luke Museum
719 South King Street
Seattle, Washington
Thursday, 2013-08-08, 18:00-20:00 PDT (Local Time)

Join us for the opening reception of War Baby/Love Child: Mixed Race Asian American Art.

As an increasingly ethnically ambiguous Asian American generation is coming of age, this multi-platform project looks at how mixed-heritage Asian American artists address hybrid identities in their artwork. The exhibit features work by an ethnically diverse set of artists, including Kip Fulbeck, Louie Gong, and Amanda Ross-Ho.

Curators Laura Kina and Wei Ming Dariotis will be in attendance at the opening, as will several artists featured in the exhibit.

For more on the exhibit, visit http://www.warbabylovechild.com/

6-7pm: Preview for museum members and invited guests. RSVP to mmartinez@wingluke.org or 206.623.5124 ext 107.

7-8pm: Open to the public. Free admission, no RSVP required.

For more information, click here.

You don’t have to be mixed-race to have a mixed identity

The Seattle Globalist: Where Seattle Meets the World
2013-06-24

Maggie Thorpe, Graduate student in Japan Studies
University of Washington

Editor’s note: Laura Kina, who is quoted throughout this post, disagrees with the representation of her perspective here. You can read her response in the comments.

A new exhibit at the Wing Luke museum is part of a growing movement that says our racial identity is a personal choice, not a fact of birth.

“Aren’t you insulted by that?”

Michael Tenjoma, 23, set down the rolled-out slab of Japanese noodle dough and looks at the blackboard specials beside him in the Seattle restaurant.

“What?” asked the fifth-generation Japanese-American from Hawaii.

“That!” The irate customer pointed at the words “Jap. Satsuma Potato.”

Tenjoma let out a chuckle.

“It has a period after the word ‘Jap’. There’s nothing insulting about it.”

The customer stormed away, irate.

“I’m not Japanese,” Tenjoma said after telling this story. “Whenever I was in Japan, everyone kept asking me what I really was. But I’d just answer that I’m American. It seemed to bother everyone that I couldn’t give them a straight reply. But when I’m in Hawaii, I’m Japanese. It all really depends on where I am.”

In 2000 the U.S. Census allowed Americans to identify themselves as being two or more races for the first time. According to National Journal, people who identify themselves as multiracial have risen from 9.2 percent in 2000 to 32 percent in 2010.

“Under My Skin” — a recently opened exhibit at the Wing Luke Museum — discusses the issues of race and identity through art. Each piece weaves an intricate story evoking introspection, whether through modern art installations or traditional oil paintings. It is a quiet place with all 26 artists’ emotions and perspectives prodding into each attendee as they view each display.

Laura Kina, a contributing artist to the exhibit, is mixed. Her father’s side of the family is from Okinawa, Japan and her mother is of mixed-European ancestry with origins in small town Washington…

Read the entire article here.

Representing Mixed Race: Beyond “What are you?”

Talking Race: A Digital Dialog
2013-05-28

Laura Kina, Vincent DePaul Associate Professor of Art, Media and Design
DePaul University

My 2011-12 oil paintings Issei, Nisei, Sansei, Yonsei, and Gosei are on view in “Under My Skin: Artists Explore Race in the 21st Century” at the Wing Luke Museum of the Asian Pacific American Experience in Seattle May 10-November 17, 2013. The Japanese language titles mark the first, second, third, fourth, and fifth generations from my father’s lineage to live in the United States.

Issei is a ghostly indigo blue portrait of my great grandmother, who came in 1919 through the “picture bride” system of arranged marriage from Okinawa, Japan to the Big Island of Hawai’i to work on a sugar cane plantation in Pi’ihonua (near Hilo). Her image flickers in front of a row of female sugar cane workers dressed in protective work clothes made from repurposed kasuri kimono fabrics. Nisei features a similarly blue tinged portrait of my grandmother in front of a steamship, the Kamakura Maru, circa 1937-39 when she was sent back to Okinawa for high school. Sansei is a sepia toned image based on my mom and dad’s engagement photo from 1968. Next to their image is a colorful patchwork quilt made from vintage Aloha shirts. Yonsei features my own black and white wedding portrait rendered on top of an auspiciously celebratory red enameled background. I wore a white kimono and constructed Japanesque identity and my husband, who is Ashkenazi Jewish, looked like a young Sean Penn in his black tuxedo. Gosei is a portrait of our daughter Midori wearing a Hello Kitty t-shirt, the ubiquitous consumer sign of global Japaneseness. I painted her during the first weeks of September 2012. She is standing on the beach at once a little girl, my baby, and on the cusp of tweendom and about to enter her Hebrew school education. Midori’s expression and the formal composition directly reference the viewer back to Issei while the exaggerated blueness of her eyes and lightness of her skin signal her potential passing into whiteness…

…I identify as hapa (half Asian), yonsei (fourth generation), Uchinanchu (Okinawan diaspora), and more generally and politically as Japanese American, Asian American, and mixed race. I’m also white but in Chicago, where I live, I am usually read as “Latina” but I have yet to embrace a Hispanic identity (I do have a Mexican American stepdaughter though). I live in an urban South Asian/Orthodox Jewish immigrant community. I’m a convert to Judaism, but no one ever guesses I’m Jewish. I don’t look the part. I’m more likely to be mistaken as Indian, vaguely reminiscent of the Bollywood movie actress Preity Zinta. My father is Okinawan and grew up on a sugar cane plantation on the Big Island of Hawai’i and my mother is from Kingston, Washington, where her family ran a roadside motel near the Kingston ferryboat landing. Her mom was a seamstress from a Basque-Spanish agricultural family and she grew up speaking Spanish in Vallejo, California. Her father was French, English, Scotch-Irish, and Dutch heritage (aka “white”) and hailed from Wacko, Texas, by way of cotton fields in Tennessee. He was a descendent of James Knox Polk, the eleventh president of the United States, as well as Major General George Pickett, whose infamous charge was the last battle of Gettysburg. Sometimes I think it’s funny that I’m simultaneously eligible to claim membership as a Daughter of the American Revolution and to throw my lot in history as a descendent of a Japanese “picture bride.”…

Read the entire article here.