Mixed Race Studies

The Greek-American R&B Legend Who Passed as Black

Zócalo Public Square
2018-12-17

Kristen E. Broady, Dean and Professor of Economics
College of Business
Dillard University, New Orleans, Louisiana

An Excelsior Records advertisement features R&B pioneer Johnny Otis between blues singer Jimmy Rushing and bandleader Gerald Wilson. Courtesy of Flickr.

Johnny Otis Felt He Had Been ‘Saved’ by the Political, Spiritual, and Moral Force of African-American Culture

If a role exists in black music that Johnny Otis couldn’t play, it would be hard to find. Known as the godfather of rhythm and blues, Otis was a bandleader, talent scout, singer, drummer, minister, journalist, and television show host. Between 1950 and 1952, Johnny and his band recorded 15 top 40 R&B blues hits. He discovered, produced and promoted a roster of stars, including Etta James, Little Esther, and Jackie Wilson.

Otis was not only a trailblazer in the world of music but also a religious leader and political activist. Born seven months after the beginning of the 1921 Tulsa Race Riot, he lived through Supreme Court decisions that decriminalized interracial marriage, barred racial gerrymandering of political districts, and ended covenants barring black Americans from owning property. He witnessed the inauguration of the nation’s first African-American president and was a friend of Malcolm X and an enemy of racial oppression. Yet Johnny Otis, arguably one of the most important figures in mid-century black music in America, was not actually black. He was white, passing as black…

Read the entire article here.

The Notorious, Mixed-Race New Orleans Madam Who Turned Her Identity Into a Brand

Zócalo Public Square
2018-10-01

Emily Epstein Landau, Teacher [and author of Spectacular Wickedness: Sex, Race, and Memory in Storyville, New Orleans]
Georgetown Day School, Washington, D.C.

Lulu White, the most notorious madam in the turn-of-the-century Big Easy. Courtesy of the Collections of the Kinsey Institute at Indiana University. All rights reserved.

By Repackaging the Myths of the Tragic Octoroon and the Self-Made Woman, Lulu White Crafted a Persona That Haunts Beyoncé’s “Formation“

In 2016, music and pop-culture idol Beyoncé released the album Lemonade to rapturous reviews. As a historian of New Orleans, I was especially intrigued by the video for one of the songs on the album, “Formation.” The video includes iconic images of the city: Katrina flood waters and post-flood graffiti; “second-lines”; marching bands; crawfish eating; and even a dancing “Mardi Gras Indian.” As we move through various neighborhoods, we visit a church service, a St. Charles Avenue mansion, and, in what appears to be a move through time into the city’s past, a bordello.

The bordello scenes in the video recall famous photographs from Storyville, New Orleans’s notorious red-light district, which flourished from 1898 to 1917. And while the song is clearly about Beyoncé, the persona she embodies in it resonates with an earlier iconic black female: Lulu White, the self-styled “Diamond Queen” of New Orleans’s turn-of-the-century demimonde. Knowing Lulu White’s story helps us see Beyoncé’s artistic creation within a complex historical framework, for in it are woven together threads of American history: stories of sexual slavery and prostitution; revolution and exile; and, not least, capitalism and the American Dream.

Lulu White was the most notorious madam in Storyville. She earned fame and fortune as the “handsomest octoroon” in the South, and her bordello, Mahogany Hall, featured “octoroon” prostitutes for the pleasure of wealthy white men during one of America’s most virulently—and violently—racist periods. It was also the dawn of consumer culture and the beginning of modern advertising. Thus, Lulu White crafted a persona for herself through stories that had long circulated in New Orleans; she repackaged those stories to create what today we would recognize as her brand…

Read the entire article here.

How Soccer Helped Brazil Embrace Its Racial Diversity

Zócalo Public Square
KCRW
Santa Monica, California
2016-04-06

Joshua Nadel, Associate Professor of History
North Carolina Central University

Brazil—as two recent book titles point out, and almost any kid kicking a ball anywhere in the world can tell you—is the country of soccer. While the modern sport’s actual birthplace is England, Brazil is the spiritual center of the sport. Brazil, whose beloved canarinho team is the only one to play in all World Cups and to have won five, perfected the English invention, inspiring a more poetic, fluid version of the game. And while Brazil made modern soccer, the extent to which soccer made modern Brazil is often underappreciated.

The sport landed in Brazil (and throughout Latin America) at the moment of the creation of the modern nation state, in the late 19th century. As a result it tied into the historical narratives—the stories that Brazilians crafted about themselves—that underpinned the nascent nation. Soccer helped to knit Brazil together into one country in the early 20th century and played a key role in incorporating people of African descent into the polity.

Soccer arrived in Brazil in the 1890s, brought by British workers and Anglo-Brazilian youth who were returning from school in England. At first played in elite social clubs like the São Paulo Athletic Club, the sport soon diffused downwards to the masses, and by the first decades of the 20th century was already the most popular sport in the country. Most soccer histories in Latin America suggest two separate “births”—the foreign birth marked by arrival of sport and the dominance of expatriate teams; and the national birth, when the local youth began to beat the Europeans at their game. In Brazil a third birth exists: when Afro-Brazilians enter the field in large numbers…

Read the entire article here.

They Called Me ‘Coffee with Milk’ as a Kid

Zócalo Public Square
2015-11-19

Maya Soetoro-Ng (Photo by Kenna Reed)

Peace Educator Maya Soetoro-Ng Wants America to Make Room for Complexity

Maya Soetoro-Ng is the director of community outreach and global learning for the Matsunaga Institute for Peace and Conflict Resolution at the University of Hawaii at Manoa. For many years, she taught high school classes in social studies and English and undergraduate and graduate courses in multicultural education, social studies methods, and peace education. She is also the half-sister of President Barack Obama. Before participating in a discussion on what Hawaii can teach America about race, she talked about sharing the Nuyorican poets with her students, her pet peeve, and the hardest part of peace to practice…

Read the interview here.

When Louisiana Creoles Arrived in Texas, Were They Black or White?

Zócalo Public Square
2015-12-15

Tyina Steptoe, Assistant Professor of History
University of Arizona

Tyina Steptoe’s book, Houston Bound: Culture and Color in a Jim Crow City, was published by the University of California Press in 2015.

Mixed-Race Migrants Came to Houston for Jobs and Ended Up Challenging Definitions of Race

Actor Taye Diggs recently raised eyebrows by declaring that he hopes his young son—who has a white mother of Portuguese descent—identifies as “mixed” instead of black. Diggs, who is African-American, also included President Barack Obama in his statement. “Everybody refers to him as the first black president. I’m not saying it’s wrong. I’m just saying that it’s interesting. It would be great if it didn’t matter and that people could call him mixed. We’re still choosing to make that decision, and that’s when I think you get into some dangerous waters.”

So, who is “black” in America? To answer this question, I think it helps to look at the history of Houston, the city where I grew up and a place that has grappled with the black-white color line in a different way than we’ve conventionally come to understand race in America. A sizable population of people in Houston through the 20th century has identified as “Creole”—and many never really identified as black or white.

The Creoles who came to live in Houston were descendants of a free, mixed-race population that appeared in colonial Louisiana in the 18th century. The first generation typically had French or Spanish fathers and African mothers. Coerced sexual relationships, complex negotiations, and outright rape led to the creation of this population. Some white men freed their mixed-race offspring, who became known as gens de couleur libre (free people of color). Free people of color formed a separate racial group in colonial Louisiana. Since they were free, they were not lumped into the same category as black slaves. But they also did not have the same legal status as white people. Free people of color, then, were neither white nor black. Following the end of slavery in 1865, they called themselves Creoles of color, a name that future generations continued to use to identify themselves as a group…

Read the entire article here.

Unlike the continental United States, Hawaii has no group that is the racial majority, and people can identify with multiple races and ethnicities over several generations. This is the norm, rather than an anomaly.

Early social scientists, the tourist industry, and visitors credit this long history of mixing to the “aloha spirit,” or culture of tolerance and inclusivity, that is the hallmark of living in Hawaii. True, Hawaii is a place where a mixed-race person like myself can blend in, and where people of color are not seen as a curiosity. And yes, people generally get along here.

But even the aloha spirit has its limits. We must be mindful that the present multicultural society grew from the collapse of the Native Hawaiian population and the dispossession of their land.

Rudy P. Guevarra, Jr., “Is Hawaii a Racial Paradise?,” Zócalo Public Square, September 15, 2015. http://www.zocalopublicsquare.org/2015/09/15/is-hawaii-a-racial-paradise/ideas/up-for-discussion/.

Is Hawaii a Racial Paradise?

Zócalo Public Square
2015-09-15

Rudy P. Guevarra, Jr., Associate Professor of Asian Pacific American Studies
Arizona State University

Nitasha Sharma, Associate Professor of African-American Studies and Asian-American Studies
Northwestern University, Evanston, Illinois

David A. Swanson, Professor of Sociology
University of California, Riverside

Lee A. Tonouchi (“Da Pidgin Guerilla”)
Hawaii

Roderick Labrador, Associate Professor of Ethnic Studies
University of Hawaii, Mānoa (also Director of the UCLA Hawaii Travel Study Program)

Maile Arvin, Assistant Professor of Ethnic Studies
University of California, Riverside

Races, Ethnicities, and Cultures Mix More Freely Than Elsewhere in the U.S., But There Are Limits to the Aloha Spirit

Early in the 2008 film Forgetting Sarah Marshall, Jason Segal, playing a guy who travels to Hawaii to get over a breakup, drunkenly pours out his feelings to two people in his hotel, a newlywed man and a bartender. The new husband encourages Segal to think there’s still hope for the relationship, but the bartender, Dwayne, has no sympathy for Segal’s sadness.

“You’ve gotta move on,” Dwayne says. “It’s that easy, I promise you it is. I lived in South Central. South Central. And I hated it. So I moved to Oahu. Now I can name you over 200 different kinds of fish!” He starts naming them.

The scene is hilarious, but it also hints at one of America’s fundamental Gordian knots—race—and the various ways we’ve tried to untie it. The story uses Los Angeles’ “South Central” neighborhood as a code word for a place where gangs are divided along color lines, racial tensions can erupt in violence, and residents feel stuck in the cycle. The implication is that Dwayne, who’s black, escaped all that by coming to Hawaii. He puts forth Hawaii as a paradise—a place where the only thing he has to worry about is learning how to pronounce Humuhumunukunukuapua`a.

Hawaii is one of America’s most diverse and happiest states. Some would contend people get along better here than almost anywhere else. But tossing different groups together also means there are frictions—ones that perhaps are too often are obscured by the sunshine and ukuleles in tourist guides.

So what’s the actual nature of racial relations in Hawaii? And what can the rest of us learn from it? In advance of the “What It Means to Be American” event “What Can Hawaii Teach America About Race?,” we asked a variety of experts on and off the islands that same question…

Read the entire article here.

Race in the United States – Mississippi and Hawaii at Two Ends of the Spectrum

UCR Today
University of California, Riverdale
2015-09-04

Mojgan Sherkat (mojgan.sherkat@ucr.edu)

RIVERSIDE, Calif. (www.ucr.edu) – There’s a lot to learn about race in the United States through statistical figures alone, especially when comparisons are made between Hawaii and Mississippi, according to David Swanson, professor of sociology at the University of California, Riverside.

“Hawaii and Mississippi stand out from each other and the U.S. as a whole in terms of health, education, and income,” said Swanson.

Swanson will release an essay on the topic on Zócalo Public Square on Sept. 16, 2015. The not-for-profit ideas exchange board will have a discussion on “What can Hawaii Teach America About Race?” It is co-sponsored by the Smithsonian and the Inouye Institute. The essay will be available on Zocalo‘s website.

Swanson used data from the U.S. Census Bureau (except life expectancy data, which comes from Wikipedia) to demonstrate race in America…

Read the entire article here.

Chats: Is Obama Black, Bi-racial, or Post-racial?

Zócalo: Public Square
2011-09-07

Five Experts Comment on the Politics of Race

Richard Thompson Ford, George E. Osborne Professor of Law
Stanford University

Michael C. Dawson, John D. MacArthur Professor of Political Science; Director of the Center for the Study of Race, Politics and Culture
University of Chicago

Eduardo Bonilla-Silva, Professor of Sociology
Duke University

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

David A. Hollinger, Preston Hotchkis Professor of American History
University of California, Berkeley

As the son of a black Kenyan and a white American, President Obama is biracial. As a symbol of our times, he’s also called post-racial. On his census form, he classifies himself as black. Whatever he is, the categories obsess many Americans. So in advance of Randall Kennedy’s visit to Zócalo, we put the question to some leading academics: Is Obama black, bi-racial, or post-racial?…

He’s Black…

…He’s Black, Unfortunately…

…He’s White, Unfortunately…

…He’s Race-neutral, Unfortunately…

…He’s All and None—But Let’s Give It a Rest…

Read the entire article here.

The immediacy of Obama’s interracial parentage, along with his transnational experience of being reared in Hawaii and Indonesia, by his white mother and her relatives, along with his Indonesian step-father, has imbued his consciousness with a broader vision and wider-ranging sympathies in forming an identity. This in turn enhances his image as the physical embodiment of the principles of equity and inclusiveness. Yet Obama has never said he identifies as multiracial. This was underscored when he checked only the “Black, African American, or Negro” box, rather than multiple boxes, on his 2010 census form. In the media, and more generally, Obama is considered black or African American.

G. Reginald Daniel, “Chats: Is Obama Black, Bi-racial, or Post-racial?” Zócalo Public Square, September 7, 2011. http://zocalopublicsquare.org/thepublicsquare/2011/09/07/is-obama-black-bi-racial-or-post-racial/read/chats/